Dave’s Excellent Eurotrip 2013 Part 2: Bruges

Bruges Map

Well, what is there to say about Bruges, Belgium (Brugge) that hasn’t already been said in one of my favorite films in recent memory, In Bruges?

While visiting a friend and vacationing in Amsterdam, the siren songs of Bruges were impossible to resist.  Depending on how many transfers you have, Bruges is just a three to four hour train ride from Amsterdam, and what better way to see more of Northern Europe than by train?  It was interesting to see the flat farmlands of The Netherlands, reclaimed from the water through their ingenious designs of dikes, dams and canals.  Off in the distance windmills both ancient and modern could be seen and quaint small towns were passed by until we reached Belgium.  On the way back to Amsterdam we even got to see a little bit of Antwerp during an hour layover at possibly the world’s most beautiful train station.  Who knew, however, that Belgium is apparently considered the armpit of Northern Europe, as my friend (who has lived in both Belgium and New Jersey – another famous armpit we share in heritage) confirmed the theory I was developing while the train rattled through more small towns and rundown graffiti-strewn cities.  But…who cares when Belgium is also home to the world’s best waffles, chocolate and beer?  And…well…Bruges.

Martin McDonagh’s endearing black comedy captured Bruges perfectly.  When Ken (Brendan Gleeson) fumbles over the phone with Harry (Ralph Fiennes) when trying to describe how Ray (Colin Farrell) felt about Bruges…he was spot on.  Getting off at the train station, your first thought might be what the hell…maybe Bruges is a shit hole?  But as soon as your feet hit those cobblestone streets and your eyes take in all the architecture, churches and canals, Belgium’s best preserved medieval city really is like a fuckin’ fairytale, innit?  I mean, honest to god, Bruges is probably the most unabashedly beautiful city I have ever seen.  Bruges knows exactly what it is, why people come, and it luxuriates you in its very essence. Continue reading

The Greatest Living Film Composers

Recently I couldn’t decide if I wanted to write a scathing critique focusing on the banality of the painfully quirky (500) Days of Summer or pen a love letter to The “feel good” Final Destination where we gleefully watched ridiculously good-looking and stupid young people die in unfathomably moronic and elaborate stunt-deaths — in 3D no less! — but neither film really warrants such efforts or talk.  In times like these when searching for things worthy of writing about, my thoughts turn to my blog’s old stand-by and most popular feature:  The Greatest “Blank of All Time” Lists.

I’ve toyed for quite some time with doing a list of film’s greatest cinematographers — which, by the way would look something like this:  Conrad L. Hall, Freddie Francis, Roger Deakins, Sven Nykvist, Caleb Deschanel (Zooey/Summer Finn’s accomplished father), Robert Elswit, Emmanuel Lubezki…but I digress — Continue reading

A Review of Martin McDonagh’s “In Bruges”

Just when I was about lose faith in film due to the muck and mire currently overstuffing multiplexes and DVD shelves, In Bruges comes along, out of nowhere, to restore my religion.  First-time feature length director/screenwriter Martin McDonagh hasn’t crafted an earth shaking masterpiece, but he has a made a film that has spoken to me personally.  It tells the type of story that I hope to tell as a novelist.  It features sharp writing that I aspire to and smart directing I wish there was more of in Hollywood.  It combines elements from two of my favorite writers: Graham Greene’s religious and deeply psychological study of the criminal mind, and David Mamet’s too cool f-bomb laden verbal sparring.  Finally, it showcases three of my favorite things: trails of blood running down cobblestone streets, beautiful French actresses (Clemence Poesy), and midgets (I mean dwarves).  Why is it I want to visit Bruges now?

CAPTION:  “Oh, remember that guy we killed…IN BRUGES!  Good times, good times.”

“They’re Filming Midgets…”, 16 February 2008
9/10
Author: David H. Schleicher from New Jersey, USA

…in Bruges. Two Irish hit men (Brendan Gleeson and Colin Farrell) are sent into hiding by their British boss (Ralph Fiennes) in Bruges, Belgium after a botched job only to learn that the most damning job awaits one of them just around the corner. Bruges is a picturesque tourist trap built around the oldest and best maintained medieval city in Belgium. Director and screenwriter Martin McDonagh bleeds the setting and the material for all its worth and makes his feature film debut in superb style.

The dark comedy built around the existential quandaries of hit men has been done to death over the years. If last summer’s You Kill Me was the relentlessly dark and relentlessly sitcom-y take on the genre, then In Bruges is the hipster art film take on the theme. McDonagh deserves all the credit in the world for breathing life into the stale story by texturing the tonal shifts with crisp digital camera-work (that is surprisingly haunting), deep character development, and by creating a wonderful sense of place. Imagine a Graham Greene novel (Brighton Rock specifically comes to mind) modernized by David Mamet. The dialog is super smart and wickedly un-PC while the comedy parts are as gut-busting as the crime thriller parts are suspenseful.

McDonagh has also brought together an outstanding cast who thrive in the material. Farrell defies all odds and manages to be as sympathetic in the dramatic parts as he is charmingly sarcastic in the comedic parts. Brendan Gleeson gives a fantastically nuanced portrayal as Farrell’s mentor and friend. Meanwhile, Ralph Fiennes channels the scary-as-hell energy he’s used previously in Schindler’s List and the recent Harry Potter films in a limber subversion that is a frighteningly fun to watch. The supporting cast is to die for, with Jordan Prentice spot-on as a coked-up dwarf actor shooting an abhorrent art film on the streets of Bruges, and Clemence Poesy coyly seductive and unforgettable as Farrell’s unlikely local love interest.

Ultimately In Bruges meanders down too many cobblestone paths, and one scene near the end involving a bell tower stretches credibility but adds necessary dramatic effect. Certain plot elements will turn off a large segment of the viewing audience. However, those with the right mindset will be greatly rewarded.  In Bruges is hilarious, contemplative, sometimes scathing, often nihilistic, but marked by a shockingly hopeful undercurrent while tones shift and the colors of the human condition undulate in McDonagh’s insightful light. The arrival of a commanding talent has been heralded…in Bruges.

Originally Published on the Internet Movie Database:

http://imdb.com/title/tt0780536/usercomments-20