I Will See You Tomorrow As Advertised

Edge of Tomorrow

In a cinematic world overrun by rehashed ideas, sequels, prequels and reboots…it’s both ironic and a minor miracle that a film about resetting time over and over and over would be such a solid piece of entertainment.

There’s absolutely nothing revolutionary about Edge of Tomorrow, Doug Liman’s polished adaptation of the Japanese book All You Need is Kill (a much snarkier title that fits the themes very well), yet it all works.  Here’s Tom Cruise as another smug character unwittingly thrust into saving the world…yet he manages to imbue his performance with a dark sense of humor that allows you to forgive the tropes of this quasi-messianic overcooked tripe.  Here’s yet another “grunts vs. aliens” invasion/war set-up…yet when handled in a competent way, the cliché can still be fun to watch.  And here are the hive-like aliens…called mimics (for what reason???)…who can meld time (naturally) to anticipate enemy moves…that look something like a Lord of the Rings reject monster wrapped in Matrix machinery and move like octopi…that, hey, as silly and derivative as they are, when brought to life by slick effects and well-orchestrated battle madness can still seem special and cool.  Oh, and the coup de grace…let’s add a Groundhog Day element (remember the mimics can reset time) that leads to inevitable scenes of Cruise dying over and over and over again while he tries to get others to believe him and locate the Omega mimic (essentially the queen)…and in one humorous montage repeatedly is shot by Emily Blunt (his trainer and cohort in this time tripping madness) like an injured horse. Continue reading

Weapons of Mass Distraction

Pardon me while I change identities.

Is there an actress working today who looks sexier in pant suits and ladies business attire than Naomi Watts?  I mean seriously…oh, wait…I’m getting distracted.  What lucky bastard is Watts married to again in real life?

As outed CIA Agent Valerie Plame, Naomi Watts is perfectly cast in Doug Liman’s treatment on recent history, the ponderously titled Fair Game.  Oh, Valerie, didn’t you know when you wrote your book that there was a god-awful Cindy Crawford movie by that name already?  But I digress.  Based on the books by Valerie and her diplomat husband, Joe Wilson (Sean Penn, reveling in the opportunity to display his righteous indignation), the film depicts the botched build-up to the Iraq War from the point of view of a married couple caught in the crossfire.  Wisely placing the event everyone remembers (Plame’s outing) in the center of the film, the scenarios leading up to this are compellingly brought to light, and the dramatic arc of the fall-out, particularly how it affects the Wilson marriage, makes for a riveting two hours.  Continue reading