In 1858, somewhere in the Texas wilderness, a German immigrant dentist (Christoph Waltz) comes across some fellas transporting slaves and begins to curiously inquire about a certain one named Django (Jamie Foxx). Turns out that dentist is a bounty hunter, and he needs Django to identify some targets. Turns out that Django, once unshackled, is more than happy to oblige. Thus begins the start of a beautiful friendship in Quentin Tarantino’s latest bit of exploitative hipster shock-schlock historical revisionist revenge fantasy. In his own signature absurdist self-referencing way, Tarantino combines many of the good elements that made Inglourious Basterds his masterpiece with many of the bad elements of every other overrated film he’s ever made.
See that dentist ain’t such a bad guy, wielding his own brand of justice, and Django has his own personal mission to track down his wife (Kerry Washington, allowed only to cry and get pushed around) who was sold down river in Mississippi to a one Calvin Candie (Leonardo DiCaprio) of the infamous plantation called…you guessed it…Candie Land. Thus an episodic journey begins culminating in an overly elaborate scheme to free Django’ wife, and for the first well-paced two hours it’s a pretty damn entertaining ride. Continue reading →
Twas the stars and my Netflix queue aligned this weekend as the Hurri-Rain-Pocalypse pimp-slapped the East Coast (thanks El Nino!) and delivered to my mailbox were no less than three monumentally bad movies to pass the time as flood waters receded. One of these films was so awful, it reached that rarified pantheon where film buffs bestow upon special movies the title of “So Bad it’s Good.” In fact, I dare say, it might be the perfect “Bad Movie” and one that had me entertained and laughing for its entire 2 hour 38 minute run time. Good Citizens of Filmlandia …I give you…Roland Emmerich’s DUN-DUN-DUH 2012!
"Umm...kids...I don't think we're going to make it to the Gap's End of the World Super Sales Spectacular this weekend."