All beings great and small…stirring in the night.
Writer/Director Apichatpong Weerasethakul (say that five times fast) has created Uncle Boonmee Who Can Recall His Past Lives to be even more ponderous than his name or the film’s title. In Thailand, an ailing farmer named Boonmee (Thanapat Saisaymar) is cared for in his final days by his sister-in-law Jen (Jenjira Pongpas) and nephew Tong (Sakda Kaewbuadee) while restless spirits lurk in the jungle around them.
The film’s central conceit is that as one approaches death, memories flood the mind, and loved ones living and dead pay a visit and watch over us. As a Buddhist, Unlce Boonmee recalls not just his current life, but also past lives. What was done for Christianity in films like Dreyer’s Ordet or Reygadas’ Silent Light is done here for Buddhism. The spiritual lives of the characters are presented as if programmed in their DNA. It is not questioned; it just is. But whereas the other films presented a linear, “We live, We die, We rise,” narrative, here there is cosmic fluidity where one life or one being flows into the next for all eternity. This inner knowing is translated onto screen in a mesmerizing cacophony of sound design and imagery that evokes that cyclical flow…the stirring…of all beings great and small…past and present and future…in the night (symbolic of death).
The recollections are presented in a quasi-Faulknerian stream-of-consciousness. Continue reading