Everybody’s Hustling Hustling American Style

American Hustle - Cast

Some of this actually happened.  In 1978.

Irving Rosenfeld (an overweight and badly combed-over Christian Bale in total method mode) is a con man with a heart of gold from the Bronx.  He got into the con game as a kid as a way to help his dad’s glass business by breaking windows to drum up customers (awww).  He runs a series of dry cleaners while selling fraudulent knock-off art and running loan schemes.  He fell hard for a young passive aggressive sassy lass named Rosalyn (a delightfully scenery-chewing Jennifer Lawrence with full-on Long Island accent and big hair), married her and adopted her cute baseball card loving little boy (double awww).   But Irving can never show his true self and feels trapped emotionally and financially to his overbearing wife who uses the kid as collateral against Irving jetting off to fantasy land with his new red-headed saucy mistress, Sydney (a never sexier Amy Adams).  You see, Sydney is like Irving’s soul mate or something, a woman who reinvents herself to survive and is now his fully fledged partner in crime posing as a British Lady with banking ties to take the loan schemes to the next level.  This set-up is presented to the audience in crisscrossing voice-overs full of lies, back-handed insults and memoir-esque longing between Irving and Sydney, whose beautiful dry cleaning chemical soaked romance comes to a screeching halt when curly-haired hot-shot FBI Agent Richie DiMaso (Bradley Cooper, hilariously pent-up) entraps them.

And then the fun starts.  To get immunity, our lovers are forced to bring in more marks for take down to the feds.  And what starts out as “just take down four more guys” explodes with DiMaso’s wacky ambitions and crooked nice-guy Camden Mayor Carmine Polito’s (Jeremy Renner, doing a great South Jersey Italian accent) connections into…you guessed it!  ABSCAM! Continue reading

Philly, Football and Rooting for Silver Linings Playbook

Misfortune and a fake happy family bring Lawrence and Cooper together in Silver Linings Playbook

Misfortune and a fake happy family bring Lawrence and Cooper together in Silver Linings Playbook

David O. Russell’s Philly based adaptation of Matthew Quick’s witty and dramatic rom-com novel, Silver Linings Playbook, is exactly the type of misfit-misfortune-filled movie you want to root for.  It’s a film where, refreshingly, everyone is playing against type.

Bradley Cooper (a smug comedic performer I typically loathe) is in the lead role of Pat, a rage-fueled bipolar man who is freshly released from the loony bin after a violent incident with his wife’s lover.  Pat speaks in self-help platitudes, but there’s a sincerity in his desire to change as he dedicates himself to losing weight, keeping his anger in check, getting back his wife (delusionally so) and finding life’s silver lining.  Cooper, surprisingly, pulls it off, and one has to wonder if the Philly native saw this as his first opportunity to dig deep.  Cooper saw a moment in his career to make a change, and he took it.  It makes his character and performance extremely likable.

Jennifer Lawrence – who has made quite the name for herself playing tough teenage girls forced to grow up too fast to save their families in films like Winter’s Bone and The Hunger Games – is for the first time given the chance to play an adult as Tiffany, the damaged young widow of a cop who fumbles through her conflicted feelings and need for affection and friendship and forms an instant bond with Pat when they share unfiltered and awkward barbs about their predicaments and commiserate on their litany of medication diets that have thus far been unsuccessful in curing them of their brand of “crazy.”  Lawrence shines in the role and shows us a side previously unknown…playful, vulnerable, sassy, witty and darkly comedic.  Continue reading

Well If You Must Scream

We can scream if we want to!

We can scream if we want to!

Inspired by the current polling going on at Wonders in the Dark  (which for my money is the best movie blog site on the web right now) concerning the Best Films of the 1970’s, I decided to catch up on some of the great films from that decade I had yet to see.  One thing led to another, and there I was with the obscure Edvard Munch sitting atop my Netflix queue.  Directed by renowned forefather of the docudrama, Britian’s Peter Watkins, this complex and nearly four hour long biopic of Norwegian post-Impressionist painter Edvard Munch was originally made as a miniseries for Norwegian/Swedish TV in 1974.  It was released theatrically around the world in 1976 and was recently done up as a two-disc special edition on DVD.  I watched it in those two parts over the course of two nights and was completely transfixed.

Brazenly presented in the style of a documentary, Watkins’ film begs you to feel as if his cameras were literally there from “moment one” in Munch’s childhood during the late 1800’s all they way up through the abrupt close of the film half way through his life around 1910.  Continue reading