The 87th Annual Academy Awards aired Sunday Night, February 22nd, 2015. Below were my predictions for the winners in the major categories. The actual winners were filled in after the Oscars are announced.
For some reason last year I didn’t post my annual predictions and telecast commentary, nor do I even remember who hosted or much of the ceremony apart from the fact that 12 Years a Slave rightfully won Best Picture (a rare cosmic convergence of The Davies and Oscars). I think I may have been flying up to Canada for work that Sunday night.
At any rate, after last year’s hiatus, The Spin on the Oscars is back! Neil Patrick Harris is hosting, leaving me feeling uninspired for the ceremony to break from the norm. Musical numbers. A few gay jokes. A few empty political references.
As far as the races, there’s actually a pretty good one for best picture – and if the Academy does their famous Picture/Director split, which way that goes (Boyhood or Birdman?) could also have downstream impact to Best Original Screenplay.
I might also try live Tweeting snarky or non-sensical remarks (most likely ten to fifteen minutes past relevance) during the telecast, so follow us on Twitter @schleicherspin or better yet follow @pattonoswalt as he’s way funnier than me at this stuff.
Neil Patrick had a few good puns but was way too theater-ish for a dreadfully long broadcast begging for a comedian.
There were some genuine surprises amidst the predictable in major and minor categories (see below) but the Birdman flew highest showing yet again that the Academy loves to love themselves.
The funniest tweet of the night came from Patton Oswalt and wasn’t really about the Oscars at all but instead was a mind blowing suggestion that House of Cards might actually be Christopher Nolan’s version of Foghorn Leghorn – a thought I never dared to dream. He later suggested that Matthew McConaughey had killed a railroad hobo for his hair (ha!)
I scored a subpar 15/24 in my family Oscar pool and lost out to my brother thanks to all the upsets.
You could draw a long, clean line from the 1996 film Swingers to the 2014 film Chef. On the surface they couldn’t be more disparate – one a generational touch-point about proto-hipsters creating their own culture during the swing revival of the mid 1990’s, the other a film about an artist chef getting back to his roots and reigniting his passions. But they both have at their center a sad man (Jon Favreau) at a crossroads in his life. In Swingers he was a young guy who couldn’t get over the heartbreak of his first love lost while struggling to break into acting. Then in Chef he’s a middle-aged guy stuck in a rut after a divorce and struggling to fuel his passion for cooking. Both films show the prototypical artistic man at different stages in his life struggling to find balance and deal with feelings of loss. As it turns out, Favreau, when not directing perfectly serviceable blockbusters for the Hollywood machine, is capable of tapping into the male psyche with great sensitivity and humor through really good indie screenplays.
Carl Casper (Favreau) is a formerly renowned chef who’s lost his zest for life while working at a successful Los Angeles restaurant run by a man (Dustin Hoffman) who stifles his creativity and forces him to stick to the same old menu even when a top critic (Oliver Platt) stops by for a visit. He has a loyal crew (Bobby Cannavale and a shockingly likable John Leguizamo) and a sassy sexy hostess/waitress (Scarlett Johansson) who urge him to reignite those fires, but it takes a public blow-up with the critic who pans the tired menu that goes viral through Twitter to force him to take stock of his life after losing his job. When his ex-wife (the saucy and smoking hot Sofia Vergara) suggests he come with her to Miami (where he originally got his groove on for cooking), he reluctantly takes the opportunity under the guise of bonding with his smart, tech-savvy ten year-old son, Percy (Emjay Anthony, one of the most unaffected and casually natural child actors to come down the pike in a while). Still, it takes his ex’s ex (Robert Downey Jr.) gifting him a food truck before he truly seizes the moment to find his passion again and reconnect with the ones he most loves.