The Greatest Television Series of All Time

Next up for polling at Wonders in the Dark are The Greatest Television Series of All Time. For theses ballots, both series and mini-series can be considered.

As daunting as this was (and as difficult as it was to consider current running series that deserve a spot, but who knows how they might last or age over time), I had to put in my ballot.

The Top 60 countdown at WitD will begin later this summer.

Until then, see how your own choices would stack up against mine.

#57 I’ll Fly Away

#53 Newsradio

#49 Chappelle’s Show

#35 The Kingdom

#31 Homefront

#18 Elizabeth R

#14 Rome

#10 The Prisoner

#7 BoJack Horseman

#4 The Decalogue

#1 Twin Peaks

And now for the Spin’s Full Top 60 (with some “oh-so-close’s”) Continue reading

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The Spin’s Cinema Rewind: 2016

Outside of the theaters, 2016 was one of the most tumultuous years around the globe, especially politically with Brexit and a US presidential election that saw “the virulent madness” prophesied in 1976’s Network come to a red-hot orange, roiling, boiling head. The greatest of films often speak to the times in which they were made, and 2016 saw tumult of the artistic kind in cinema mirroring (whether intentionally or not) what had been bubbling up in society for years. If it proved anything, it’s that art is 50% the artist’s intent, and 50% the lens with which the audience views it through. Artists and audiences alike brought heavy baggage into the theaters, and we witnessed some potential masterpieces.

For me, the year’s most memorable film, Arrival, allowed the audience to breathe a collective sigh of relief at just the right time and showed us life is still worth living even when we know how (potentially horrifically) it will end.  The lovely and melancholy musical La La Land arrived at the tail end of the year to remind us it’s still okay to dream big, even when those dreams don’t always play out how we originally hoped (hope is not a strategy…but hard work is). The masterful character study Moonlight showed humanity and beauty can still be found even in the most dire of circumstances, and the search for one’s true self is a continuing journey. The true-story Loving uncovered the most sturdy bricks for building a compassionate society are quiet dignity, grace, and steady determination to fight for what’s right. Then there was the neo-western Hell or High Water, which tapped into some of the same economic rage a certain political campaign did, and showed presciently that sometimes “what don’t ya want?” is what you accidentally bring upon yourself.

My Top Ten picks for 2016 have been chosen with some initial thoughts and links to my full reviews below: Continue reading

The Spin’s Top 40 Sci-fi Films of All Time

LEPRECHAUN-IN-SPACE

Well, those ever-expanding genre polls over at Wonders in the Dark continue…and next on their docket is the Top Sci-fi films.  Below is the list I submitted, and in the coming weeks and months they will be unveiling their list after all the votes are tabulated.  I went with a fairly liberal definition for sci-fi, hence some genre-bending monster and horror films made the cut (but alas, no Leprechaun in Space!).  Also making the cut are films like Being John Malkovich, as I saw in the film a “scientific” explanation for how people were able to enter the head of John Malkovich…an unnerving “fiction” for sure!

Sci-fi films from the 50’s, 60’s, 70’s and 80’s (along with Universal Monster movies from the 30’s) ruled my childhood as they were shown in endless loops on local television on the weekends…so there are many sentimental favorites here.  The list topper, from one Stanley Kubrick, should come as no surprise for my readers, as it is also a film I routinely name in my revolving Top Five Films of All Time.  Coming in at number 2, might surprise some, as it’s also a Universal Monster classic…James Whale’s Frankenstein, a great film based on Mary Shelley’s trailblazing sci-fi-by-way-of-parental-wish-fulfillment-nightmare gothic novel.

The best science fiction films typically tap into some disturbed psychology and common fears…hence its natural and seamless blend with horror (see Alien).  Satire, both gentle and militant, mixed with science fiction can also be potent (see the works of Jonze and Verhoeven and Miller).  At its most noble, science fiction allows us to dream bigger dreams (see the best of Spielberg and Nolan).

I’ll let the rest of the list below speak for itself – links provided to more detailed write-ups and reviews of applicable films provided by clicking the title. Continue reading

The 10th Annual Davies Awards in Film

A Look Back at 2015:

Speak low…when you speak love…when you speak of the films you love…

There’s a film that was released in 2015 that hardly anyone is mentioning at year’s end.  It’s a film that for fans of a certain type of old-school cinema…those who love noir, Lang, Hitchcock and The Third Man…soared wafting in on the summer breezes to art-house theaters like a fresh breath of cool lake air.  And it features a singular performance (from the one and only Nina Hoss) and a closing scene, so haunting, so complete, so cinematic, so classy…it made those lovers of that refined kind of retro flick gasp.  “We didn’t know they could make them like this anymore…” we communally thought.  Oh, but they do…and it’s so very rare and precious when they do.  Phoenix (and for the legions who haven’t seen it, please do…it’s currently streaming on Netflix and Amazon Prime) is the film of the year – hell, maybe of the decade.  My wife and I loved it so much we had “Speak Low” play as one of our wedding songs.  It’s that damn good.  And unforgettable. Continue reading

The Spin on the Most Anticipated Films of Fall 2015

fall-movie-preview

While the best film of 2015 may very well have already been released (haven’t seen Phoenix?  well, you must), it doesn’t mean Hollywood won’t be crowding the autumnal multiplexes with high-end genre pieces and prestige flicks stacked like fallen leaves piled up at a suburban curb.

Here’s my Spin on the most anticipated films of Fall 2015:

10.  Spectre – d. Sam Mendes – November 6th – It’s the latest Bond after what many feel was one of the greatest Bonds.  I’m tired of Craig, but Mendes is a force to be reckoned with. And with Blofeld added to the mix finally, this one should set off like a Molotov cocktail.

9.  The Witch – d. Robert Eggers – Wait, this isn’t until 2016 maybe? What the hell, this screams Fall! – Exactly…what in the hell is this?  First time director Eggers displays a style in the trailer that answers the question, what if Terence Malick directed a horror movie?  Well, I’m intrigued.

8.  Beasts of No Nation – d. Cary Joji Fukunaga – October 16th – This will be an interesting one to watch, as this tale of child soldiers in Africa is Fukunaga’s first stab at cinematic greatness coming off True Detective, and it’s the first original film released by Netflix who will be playing it in limited theaters and streaming.  This could change the game on multi-platform releasing (especially of independent films), or it could be met with a shrug.

7. Suffragette – d. Sarah Gravon – October 23rd – Buzz is good, the cast is great, the story is powerful and the trailer is strong.  It would be hard to imagine this one going wrong, but stranger things have happened.  Wanna see Mulligan in another great part?  Check out this year’s earlier Far From the Madding Crowd.

6. Black Mass – d. Scott Cooper – September 18th – Johnny Depp tries to erase bad memories of Pirates, Tonto and Transcendence (oh dear lord what in the world was that piece of crap supposed to be apart from a cure for insomnia?) in this movie that has the right look and swagger to be a mob genre classic.  Will Cooper finally knock one out of the park and join the big boys? Continue reading

This War Has Put an End to Decent Things

Hope and Glory Title Photo

For many, childhood is a war: a battle of wills with adults, a rage against growing up, a fight against awakening into the violent world of adulthood.  It’s not surprising then that many of the greatest films about childhood and coming of age take place against the backdrop of actual wars.  Three of the top five films in my list of the 41 greatest films about childhood involve war and how children and adults learn to deal with it in different ways.  Many of the films on this list (including the film at number one) are no doubt sentimental favorites (arguments could easily be made there are grander artistic achievements further down the list).  It should come as no surprise that these sentimental favorites were first seen in childhood and that many of the films come from directors delving deep into the wellspring of nostalgia and semi-autobiography; those indelible moments from our shared childhoods crystalized onto the silver screen.

I was about the same age as the protagonist, Billy Rohan, when I first saw John Boorman’s Hope and Glory.  I loved every bit of it, and even at that young age I knew there was something unique about its point of view.  It painted war as how I imagined I (as a child at the time) would’ve reacted to it: a blast of excitement in an otherwise mundane suburban life previously populated by games and make-believe.  Here my soldiers and toys had come to life, dirigibles suspended in air over my streets, German bombers flying overhead, danger and adventure lying in the rubble of my neighbors demolished homes.  The juxtaposition of adult horrors and children’s games (a juxtaposition dealt with far more seriously and catastrophically in films like Forbidden Games and Come and See) resulted in a picture of scrappy, working-glass survivors striving for a sense of normalcy and return to innocence in a world gone stark raving mad.  Continue reading

My Favorite Novels

Mantlepiece Collection

Maybe it was reading The Telegraph’s list of greatest novels of the 21st Century (we’re only 15 years in, people!) that I found to be absolute bollocks…

Or maybe it was looking back on a post I wrote in this blog’s infancy (pre-spin, when it was just davethenovelist) where I listed what I proclaimed to be the Greatest Novels of All Time (which of course meant the best novels I had read up to that point in my life) and realizing how much I had read in the seven years since then and thinking about what that list would look like today.  How many new entries?  What would still make the cut, and would the passage of time have colored my opinion on significance, fondness and ordering?

Or maybe it was watching “The English Patient” episode of Seinfeld for the umpteenth time on TV tonight that got me thinking…damn, The English Patient…Ondaatje…that has to be one of the greatest novels ever, right?  (Spoiler alert: IT IS!)

At any rate…I’m keeping this one simple and asking you to share your own lists. 

What are your favorite novels?

Here are mine: Continue reading

Live from New York on Any Given Saturday Night

I’m a bit late to the game as the Saturday Night Live 40th Anniversary Special aired on NBC this past Sunday, but watching the three-hour trip down memory lane got me thinking between the laughs.  It’s amazing how much SNL has been and continues to be part of my routine.  I was still in single digits when I watched the early seasons rerun on Nick@Nite, and it was during the Farley heyday when the teen version of me became a committed live watcher.  The current season may be abysmal (only the absurdly funny “Wishin’ Boot” music video deserves repeat play), but the special reminded me how funny SNL can be and left me reminiscing about my favorite sketches over the years.

This is by no means a comprehensive list, but more of an invitation for you, dear readers, to share your favorite SNL sketches.

SNL - Bag O Glass

As far as “one-and-done” stand-alone pieces, nothing in my mind tops “Consumer Report” where Dan Aykroyd plays a slimy toys salesman shucking new toys for the Christmas season, one of which is a literal bag of broken glass.  Continue reading

The Best Time Travel Films of All Time

2013_05_07 Predestination_0407.tif

There’s currently a film on VOD called Predestination, which has to be one of the trippiest time travel flicks I have ever seen.  Based on the Robert Heinlein short story “All You Zombies,” directed by the Spierig Brothers (don’t worry, I didn’t know who they were before this either) and starring Ethan Hawke and Sarah Snook (if there is any justice, a star should be born here) as two temporal cops hopping through time to stop the crimes of the Fizzle Bomber, it blew my mind that this had not been given a major theatrical release.  Had the similarly minded Wachowski Siblings made this right after The Matrix, it would’ve been a huge hit and they would probably be remembered today for the latter and not the former.  But it blew my mind more for what it was able to achieve in storytelling.  It’s impossible to talk about what happens in detail without giving away major plot points.  Early on I had a hunch what might be happening, but I was totally floored by the depth of what was happening and how the filmmakers dragged us down deeper and deeper into this endless temporal loop.  It makes no sense while simultaneously it makes beautiful sense in its own twisted logic.  It made me wonder…could this actually be one of the greatest time travel movies ever made?  Only time will tell…

…for the purpose of this musing list, let’s be optimistic on its lasting impression and notch it at number 10.  Let the rest of the countdown begin:

Somewhere in Time

9.  Somewhere in Time (Jeannot Szwarc, 1980) – Legend has it this was one of the first films to find success in the early days of video cassette rentals (ahhh…somewhere in time indeed).  I remember making my parents let me watch it with them when I was very young (maybe 6 or 7) because Superman (Christopher Reeve) was in it, and it left me confused as I didn’t understand how one of King Henry’s wives (Jane Seymour) was still alive and acting in movies.  Also during this timeframe in my life I was similarly confused as to how a medieval Saint (Joan Van Arc) ended up staring on TV’s Knots Landing.  At any rate…lush visuals, haunting music, a beautiful setting and a love story beyond time has made this a huge cult hit, and rightfully so.

Happy Accidents

8. Happy Accidents (Brad Anderson, 2000) – This is not a romantic comedy.  I repeat: this is not a romantic comedy.  It’s actually one of the best time travel movies ever made.  It’s a shame Brad Anderson has never really found the huge success he deserved after delivering a trio of thoughtful, well done genre pieces (this, Session 9 and The Machinist).  This one is also a bit of a miracle as it made the always annoying Vincent D’Onofrio actually likable for once in his miserable acting life.  Oh yeah, and Marisa Tomei is lovely here, too. Continue reading

The 9th Annual Davies Awards in Film

 

A Look Back at 2014:

Cinematically 2014 was a long, bizarre year that seemed like it would never end, much like many of the runtime-be-damned films we watched.  It’s hard to pinpoint a defining theme as filmmakers were all over the map and seemed to be throwing everything and the kitchen sink at viewers, though time travel (in fantastic terms in Interstellar and The Edge of Tomorrow while in more realistic terms in Boyhood) and biopics (especially at the end of the year) seemed to make the most compelling cases.

Strangely I found myself disconnected from many of the overly praised but still very high quality “independent” films (Boyhood, Birdman and Selma) while I found enormous entertainment value in the smartly crafted mainstream masterpieces (Interstellar and Gone Girl).

Early in the year we were treated to some of the strangest and most unnerving independent fare with the cold Canadian entry Enemy and the ever-odd Under the Skin, both slow-burn psychological thrillers that could make David Lynch squirm and swoon.  At the end of the year, when it came to the biopics, The Imitation Game showed us how it should be done even when going by-the-numbers, while The Theory of Everything showed us how wrong by-the-numbers can go.

When it came to up-and-coming directors, Jeremy Saulnier (with Blue Ruin) and Jennifer Kent (with The Babadook) left us on the edge of our seats begging for more, while Ava DuVernay basked in the glory of being the first to attempt a MLK biopic with the noble Selma.

On the veteran auteur front, David Fincher delivered a dark comedy for the ages with Gone Girl while Christopher Nolan aimed for the stars with the year’s most ambitious and memorable effort, Interstellar.  Meanwhile in a tale of two Andersons, Wes Anderson delivered his best yet with The Grand Budapest Hotel while Paul Thomas Anderson delivered his least yet with Inherent Vice…which was still a pleasing effort and a notch about Wes’ best. Continue reading