Author Archives: David H. Schleicher

Random Places I Have Been in 2017

Well, I guess we were just in a New York State of Mind in 2017.

Trips to the Empire State included:

  • An extended “writer’s  retreat” weekend in Cooperstown in April.  It was my wife’s first time in one of my favorite places on earth.  It was also our first time doing Air B&B.  Despite coming home with a nail in my tire…it was a truly relaxing, lovely trip (and, yes, we both got some much-needed writing done).
  • A weekend getaway to NYC in June to hit up some old haunts (with a jaunt out to Brooklyn and the Brooklyn Museum).
  • A family vacation in August renting a house on Lake Seneca (first time in the Finger Lakes region) from which we watched the solar eclipse. The vacation also included day-tripping to Watkins Glen and the Canadian side of Niagara Falls (a long overdue first time there!)  The Niagara experience inspired a short-story I’m currently polishing up.

Continue reading →

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My Thoughts Will Never Be Final on Twin Peaks

When that final gut-curdling scream rang out on that oh-so-familiar street in front of that oh-so-familiar house in that oh-so-familiar town from our oh-so-familiar anti-heroine, just as I had after every other hour, I raced to my laptop to churn out my blog post without much thought. I was a bit flippant, and ill-tempered, as that newly settling frustration of Lynch pulling the rug out from under us (again) was just beginning to simmer, and in my post (and haste) I wrote off the whole series to that Lynchian trope of being caught in an endless loop of suffering from which you can never escape no matter how hard you try.  And I still basically stand by that assessment…but oh, Twin Peaks, you are both just that and so much more.  Much like life itself, you are a walking contradiction.  A mirror unto yourself.

Now I’ve had time to digest the finale and read all the wonderful (and eloquent and thoughtful) theories out there in the media and on fans’ feeds.  And I agree with them all.  Those theories are mirrors of my own thoughts.  Nothing I write about here hasn’t been thought of by someone else who already wrote it down (and probably more astutely conveyed). Continue reading →

Twin Peaks – The Return: Two Hour Finale (Hours Seventeen and Eighteen)

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

TWO HOUR FINALE (HOURS SEVENTEEN & EIGHTEEN)

“Is it the story of the little girl who lived down the lane?”

Like the entire Return in a microcosm (or condensed into a little golden orb, if you will), the final two hours of Lynch’s maddening opus contained a few moments of satisfying fanatic brilliance buried in deliberately obtuse dream logic. Continue reading →

Twin Peaks – The Return: Hour Sixteen

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR SIXTEEN

“You are awake. Finally.”

THIS IS THE EPISODE. I repeat. THIS IS THE EPISODE. We’ve all been waiting for.

After taking Richard Horne to the bogus coordinates provided by Jefferies last hour and using the boy (whom he later refers to as…DUN DUN DUN…my son) as bait leading to a most electrifying (and satisfying) destruction of said bad seed, Bad Cooper texts Diane, leading her to remember the coordinates to the Twin Peaks Sheriff’s Station (now confirmed as the place to be) and a horrifying confession to Gordon, Albert, and Tammy that reveals Diane to have been…DUN DUN DUN…manufactured. Lynch films these scenes like a jolt, all simultaneously brooding, revved up, and gasp-inducing. Laura Dern, in particular, delivers an astounding performance, rivaling her interview scenes from Inland Empire, but sped up for maximum effect. The pace here, after 15 laborious hours of meandering metaphysical and nostalgic nonsense (interspersed with the occasional atomic-level horror show) is a breath of fresh air that sooths while grabbing you by the throat.

Whoa, baby, but Lynch and Frost were just getting warmed up! Continue reading →

Twin Peaks – The Return: Hour Fifteen

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR FIFTEEN

“The Wind is Moaning”

Hour fifteen opens with one of the most gloriously hopeful moments in the history of the series. Nadine, perky and shovel-wielding, marches down to Big Ed’s Gas Farm and in the most blissfully delusional yet definitively zen way possible…releases Ed to be with Norma. Blindsided by the possibility, Big Ed lumbers eagerly down to the Double RR…but Norma has to speak to Franchise Walter first. Ed, along with the audience, thinking Norma is going to slip through his fingers, sits there stoically dumbfounded. Meanwhile, Norma, in a twist of fate, announces to Wayne she wants him to buy out her share of the franchises so she can go back to just managing the Double RR and be with family. All the while, Lynch is playing a gut wrenching blues-rock song, echoing Big Ed’s fathomless deep heartbreak, his camera focused on the emotionally and physically weathered face of the ultimate sad-sack…but then…her hand…his shoulder…they turn to each other…he proposes…she says YES!!!!…they kiss…and the camera pans to clouds clearing to a clear blue sky. Clear, simple, hopeful, visual symbolism. A brief moment of brilliant joy in this world of truck drivers. Continue reading →

Twin Peaks – The Return: Hour Fourteen

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR FOURTEEN

“It’s all coming together now…” was what I couldn’t help but think during this shocking hour that made walking in the woods in the broad daylight scary as hell, and one bold woman who’s had enough takes a violent stand against the scum of the earth. The three major plotlines (Buckhorn, Vegas, and Twin Peaks) finally started to converge in cogent ways in the revelatory fourteenth hour. Continue reading →

There is a Meadow in my Perfect World of Wind River

The Native American reservation of Wind River is as far from perfect as one could imagine, a destitute landscape of snow and silence where forgotten people can’t rely on luck…they survive or die. But the inhabitants there can still dream of better places. They can make their way if they fight for it.

The film opens with a thoughtful young woman’s voice-over reading a poem about “a meadow in my perfect world” while we watch on the screen a battered young woman running for her life across a deadly nighttime landscape of moonlight snow and sub-zero winds. It’s another fifteen minutes or so before we witness her body discovered days later by Cory Lambert (an Oscar-worthy Jeremy Renner), a game-and-wildlife tracker hunting a lioness on the reservation, who has his own tragic past that casts a shadow on the current events. Into town comes a green but game FBI agent (a fabulous Elizabeth Olsen, evoking a young, steely Michelle Pfeiffer), who along with the reservation police force (lead by a stoically sardonic Graham Greene) and our determined tracker forms a posse to catch the predator who drove the young woman out into the cold and her ultimate death.

Writer/director Taylor Sheridan’s neo-noir meditation on grief and resilience is a brutal and beautiful thing that also operates on the surface level as a rip-snorting crime drama/police procedural which satisfies our hunger for the perverse while defying our expectations with novelistic depth of back-story and character. Continue reading →

Twin Peaks – The Return: Hour Thirteen

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR THIRTEEN

“Everybody’s worst nightmare…”

While the Dougie and Bad Coop plotlines were advanced somewhat (Mr. Todd’s nefarious dealings were revealed through a weeping Tom Sizemore after he couldn’t bring himself to let Dougie drink the coffee he had poisoned…while Bad Coop had an epic arm wrestling match that lead to a man face-punched to death and henchman Ray finally biting the dust)…the rest of Hour Thirteen played on the “It’s happening again…and again…and again…” theme. Continue reading →

Twin Peaks – The Return: Hour Twelve

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR TWELVE

“This week on Invitation to Love – The Return…”

Some of the most delightful meta-moments in the first incarnation of Twin Peaks were the tremendously ridiculous snippets from the soap opera show-within-a-show, Invitation to Love. Each week a Twin Peaks character would take a pause during their own overly complicated day to try to catch up with the soapy theatrics, and we the viewers were treated to over-the-top dialogue about who was sleeping with who and who was plotting to kill who, a whirlwind of melodramatic trash where over-acting actors rambled on about people we had never seen or cared about – all, kinda ironic, in the context of the actual soap opera, Twin Peaks, we had become addicted to.

Not surprisingly, one of the major complaints about Twin Peaks – The Return has been the absence of those juicy (and often hilarious) soap opera plot-lines…but here in Hour Twelve, Frost and Lynch redefine meta by delivering the long-awaited return of Audrey Horne… Continue reading →

Twin Peaks – The Return: Hour Eleven

Cherry Pie

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR ELEVEN

“The cherry pie is life.”

Remember that movie Seven and the creepy mysterious box given to Brad Pitt, and how it turned out that Gwyneth Paltrow’s head was in the box? Remember what a shock and how gut-punching hearbreaking it was? Wow, how time’s have changed…and most people would now howl with laughter and delight at the idea Goop-y Gwynie’s head in a box. Well, there’s a mysterious box in this episode of Twin Peaks, too, and for a moment we wonder along with James Belushi (driven by a dream of what was in that box) and his brother, just what is in that box…carried by Dougie Jones…who they originally planned to kill.

Turns out…just as Belushi’s dream prophesized…it’s a cherry pie! Thanks to the one-armed man, Dougie bought the cherry pie and brought it with him (along with the $30 million claim check for the brothers)…and the cherry pie saves his life. Which leads to a delightful scene of the brothers and Dougie and Candy, Randie, and Mandie at a Vegas lounge enjoying that “Damn Good” pie and the dulcet tones of Angelo Badalamenti on the piano. Continue reading →