Fans of British novelist Graham Greene are said to live in GreeneLand, a place where I take up a happy residency.
While film buffs will always remember Greene for penning the screenplay to one of the greatest movies ever made, The Third Man, it becomes easy to overlook the myriad of film adaptations that sprang so effortlessly from his novels at the time of their publication and later. In fact, it was a recent mini-Greene-to-film-Renaissance that first introduced me to the man who would become my favorite writer. I would’ve never turned to his short stories and novels had it not been for the most recent film adaptations of The End of the Affair and The Quiet American. Many of the earlier film adaptations are unfairly forgotten or simply hard to find and deserve to be brought to light for classic film buffs and faithful GreeneLand residents alike.
The following is a ranking of the Graham Greene book to film adaptations I have seen. Continue reading →
For the past three years I’ve been living in GreeneLand. For those who have never visited, it’s sometimes hard to explain my love for the place. Friends and family know I’m always reading two things: Graham Greene and something else. I’m currently reading The Quiet American, which in 1955 was the first major work to warn of entanglement in the Vietnam conflict. If I were asked to pick any person living or dead to have a one-on-one conversation with, I would chose to share a bottle of scotch with Graham Greene. He was in his prime during the WWII era and died in 1991, but his works are just as relevant today as they were when first published. He’s the rare author who is just as popular with readers as he is with his peers and aspiring writers, renowned for his commercial and critical success, and he’s among the most influential and widely read English language novelists of the 20th century. As far as I’m concerned, he’s also the best. Continue reading →