Oh Noah He Didn’t

What out for that rock!

Watch out for that rock!

Umm…like spoilers ahead and stuff so read with caution.  Like not spoilers about how the movie ends, because, duh, we all know the Bible, but more of spoilers about how STUPID the movie is.

The following are word for word utterances from inside the movie theater whilst my brother and I watched Noah.

Behold, the literal word of The Schleicher Brothers:

  • About 3 minutes into the movie, I thus pondered, “What planet does this take place on?”
  • About 60 minutes into the movie, my brother sayeth unto me, “Oh Noah he didn’t!”
  • About 90 minutes into the movie, I spaketh, “Whaaaaaaaaaaaaa?”
  • About 110 minutes into the movie (upon the sight of the ark running into a rock), I cried to the heavenly ceiling fans, “Oh, gawd, it’s the Titanic now?!”

I have no idea who on earth would enjoy this movie.  Spare for the great music score from Clint Mansell and some trippy dream/vision sequences of the impending flood, there’s nothing in this movie worth applauding unless you enjoy watching Oscar winners delivering laughably bad performances where everyone is growling or whisper-screaming in misplaced accents and half of the dialogue is unintelligible.  Continue reading

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A Review of The Wolfman

Emily Blunt breaks from the pack in THE WOLFMAN.

Finally…a horror film for old people.  Remember back in the early 1990’s when Columbia (do they even exist anymore?) tried to revive the old Universal Horror Films by using Francis Ford Coppola’s gloriously trippy Bram Stoker’s Dracula as their flagship film?  I can recall being a precocious kid and seeing the film with my parents when it opened in the theaters around Thanksgiving.  And I remember the audience being half filled with senior citizens who were all enthralled, half achy with nostalgia and half scared out of their wits.  My parents, the old folks, my friends and I…we all ate it up back then.  It was a hip, fun, scary ride totally tricked-out with every old-fashioned cinematic trick Coppola could conjure, loaded with sex and gore and over-the-top scenery chewing performances.  Dialed way down and about fifteen years late, but brimming with that same sense of fogged-covered nostalgia mixed with modern gore, Joe Johnston’s gleefully un-hip update of The Wolfman would’ve been the perfect follow-up film to Bram Stoker’s Dracula.  Heck, we even have Anthony Hopkins — Van Helsing himself — chewing more scenery than we’ve seen him chew in years as the senior member of the cursed Talbot clan.  Continue reading