Saucy old-lady and scene-stealer Margaret Bowen makes the menu options at T-Bone’s diner pretty dang clear to Texas Rangers Jeff Bridges (just. one. case. from. retirement) and Gil Birmingham (long time sufferer of Bridges’ playfully racist jokes and sagely gristle). Everyone gets a T-bone steak and a potato, and you either don’t want the corn or you don’t want the green beans. And you gotta ask yourself throughout the film…what don’t the characters want? Bridges doesn’t want to go down in a blaze of glory…right? The bank robbing brothers (Chris Pine – the good one, and Ben Foster – the bad one) don’t want to hurt anybody…right? Nobody in West Texas wants to use their concealed gun, it’s just for protection…right? Well, maybe wrong…and when everybody has hurt feelings, a trigger finger and is armed, there’s bound to be blood…eventually.
The “innocent” bystander women get some of the best lines in Taylor Sheridan’s sharp screenplay. Character actress favorite Dale Dickey, upon being asked if the bank robbers were black or white, pointedly responds, “You mean their skin color or their souls?” Another sassy waitress (Katy Mixon) who took to flirtin’ with one of our dastardly handsome brothers while the other robbed the bank across the street pitches a fit when the Rangers try to take her $200 tip as evidence. “That’ll pay half my mortgage!” Thank you very much!
And it’s those mortgages that are the root of the evils in David Mackenzie’s Neo-Western Hell or High Water. In fact, I would argue that the Texas Midlands Bank makes one of the greatest recent on-screen villains. Continue reading →
If you ride like lightning, you’re going to crash like thunder.
Those words are spoken by auto body shop owner and bank robber Robin (the superlative Ben Mendelsohn). He’s the colorful character who gets all the best lines and spouts all the wisdom in Derek Cianfrance’s epic generational Upstate New York melodrama that spans fifteen years and is told in three parts. He says these words to small-time hood, motorcycle carnival trickster, blue-eyed and tattooed baby boy Luke (Ryan Gosling – aka The Gos, in his wheelhouse) who Robin has recently taken under his wing for a couple of bank jobs.
And no words spoken were ever truer. Luke has just found out that a former fling named Romina (a smoldering Eva Mendes who first appears on-screen in a t-shirt with no bra underneath like KAPOOYA!) had his baby – but she’s trying to move on, do right, and has shacked-up with a real man. Robin convinces Luke that his particular skill set (riding fast) would be best suited for crime and that is the best way to win back his woman and provide for his family. But even Robin knows there’s such a thing as riding too fast. Continue reading →
Now, Ben, I'd really like to help you revive your career. What can I do for you?
The Town is one of those rare mainstream Hollywood movies where it seems the stars have aligned for all involved, including an audience desperate for some A-list entertainment. Writer/director Ben Affleck is back in Boston with some street cred after his directorial debut, Gone Baby Gone, proved he had some talent behind the camera and his Oscar win for screenwriting was no fluke. Here he takes his gamble one step further by casting himself as the star, and he does a decent enough job with the role, not surprisingly giving himself all the best angles and never demands too much of himself while he’s clearly playing on home turf in this Charlestown crime drama.