Could it be more a more timely moment than now for Hollywood to remind the public (and Washington) of the purpose of the free press?
The first hour of The Post is a rather hum-drum by the numbers affair about the lead up to the publication of the Pentagon Papers, first by the New York Times (who instantly get sued by the Nixon administration) and then by the Washington Post. But hey, it’s Steven Spielberg directing…and Meryl Streep as the “I can’t believe I got into this mess but by golly am I gonna make something of myself by leading with my gut here!” owner of the titular Post…and Tom Hanks as chief editor Ben Bradlee (previously featured in All The President’s Men, to which this film cannily sets itself up as a prequel in the final moments)…and just look at all those TV stars in supporting roles (Carrie Coon! Bob Odenkirk! His comedy pal David Cross! Bradley Whitford!). So what the heck, the humming looks and sounds great, even if it’s all a bit dry.
But then, thanks to Spielberg’s midstream change of pacing (and the work of excellent editors), and John Williams’ score that hums like that of a great thriller, all of a sudden this little bit of “history we already knew” plays like a cracker-jack suspense flick as reporters feverishly try to meet the printing deadline working out of Bradlee’s drawing-room, and lawyers and whatnot weigh in on the implications of publishing the top-secret stuff. Continue reading →
1, 2, 3, 4, 5 - who do you think is gonna survive?
There’s an interesting moment about twenty minutes into Drew Goddard’s debut film, The Cabin in the Woods (co-scripted by Joss Whedon) where an inanely bad CGI bird comes gliding down into the open space outside a mountain tunnel and crashes into some kind of invisible electrified grid imprisoning any living thing that travels through the tunnel. As if the weirdly mundane pre-credit sequence featuring Richard Jenkins and Bradley Whitford wasn’t enough to clue viewers in…this moment reminds us that something conspiratorially massive is afoot. Is this “snarky and attractive college kids are about to get stalked and killed in the woods” flick really just some sadistic reality show? Is it all just an overly elaborate set-up for a modern-day spin on yee olde human sacrifice game?
But the bad CGI bird hitting the electrified grid is deliberately misleading because it doesn’t prepare you at all for Goddard’s gleefully bonkers denoument…a rollicking special-effects laden and gore-strewn twenty minutes of balls-to-the-walls horror show fun. I don’t know how else to describe it but to say it’s as if the “Imaginationland” episodes of South Park went live-action meta-horror. The whole thing is wonderfully paced to lull you into thinking it’s going through the genre motions only to defy every expectation you have of a modern horror film. Continue reading →