Oscar-winner Helen Mirren is at the point in her career where she is an institution in the world of acting. Actresses occupying this rarefied air (like Streep) generally will pick roles either for fun or to win awards (though they would never admit to that). Whether doing it for fun or for serious posturing, Mirren’s name instantly adds a sense of class and gravitas to any film she stars in. This past Labor Day weekend, movie-goers could see The Helen Mirren in two puzzling films, Brighton Rock and The Debt.
Helen Mirren in BRIGHTON ROCK
Helen Mirren in THE DEBT
***POTENTIAL SPOILERS AHEAD – Read With Caution***
First up is Brighton Rock. Whether you view it as a remake of the 1947 quasi-classic (of which I wasn’t a big fan) or as a different adaptation of Graham Greene’s classic 1937 novel (which I loved and count among his best)…the film has no reason to exist, which isn’t to say it’s all that bad. Director Rowan Joffe lays on the atmosphere thickly, and for the most part the film is engaging enough. The seedy underbelly of England’s seaside resort town of Brighton is brought to life in grand fashion with nice production values, moody lighting and ominous waves crashing underneath the pier, though there is a rather oppressive music score to accompany it. Continue reading →
Fans of British novelist Graham Greene are said to live in GreeneLand, a place where I take up a happy residency.
While film buffs will always remember Greene for penning the screenplay to one of the greatest movies ever made, The Third Man, it becomes easy to overlook the myriad of film adaptations that sprang so effortlessly from his novels at the time of their publication and later. In fact, it was a recent mini-Greene-to-film-Renaissance that first introduced me to the man who would become my favorite writer. I would’ve never turned to his short stories and novels had it not been for the most recent film adaptations of The End of the Affair and The Quiet American. Many of the earlier film adaptations are unfairly forgotten or simply hard to find and deserve to be brought to light for classic film buffs and faithful GreeneLand residents alike.
The following is a ranking of the Graham Greene book to film adaptations I have seen. Continue reading →
For the past three years I’ve been living in GreeneLand. For those who have never visited, it’s sometimes hard to explain my love for the place. Friends and family know I’m always reading two things: Graham Greene and something else. I’m currently reading The Quiet American, which in 1955 was the first major work to warn of entanglement in the Vietnam conflict. If I were asked to pick any person living or dead to have a one-on-one conversation with, I would chose to share a bottle of scotch with Graham Greene. He was in his prime during the WWII era and died in 1991, but his works are just as relevant today as they were when first published. He’s the rare author who is just as popular with readers as he is with his peers and aspiring writers, renowned for his commercial and critical success, and he’s among the most influential and widely read English language novelists of the 20th century. As far as I’m concerned, he’s also the best. Continue reading →