Brooklyn Bridge to the Past

Saoirse Ronan in Brooklyn

Early on in John Crowley’s  Nick Hornby scripted film adaptation of Colm Toibin’s Brooklyn, the director wisely let’s his camera linger on star Saoirse Ronan’s face while at a neighborhood dance where her BFF Nancy has nabbed a man on the dance floor and Eilis is once again left to ponder whether there will ever be anything or anyone to keep her in Ireland.  Ronan, whose performance would be a revelation if she hadn’t already proven herself as a wee lass in Atonement, completely and subtly commands the camera and the audience, the slight tensing of her neck tendons, the nuanced flint in her eyes, that almost imperceptible sigh.  The whole plight of everyone who has ever wondered what else might be out there is written on her face.  And off to America…and to Brooklyn…Eilis goes.  Brooklyn is blessed by a few of these very smart moments, and also by a lot of clichéd ones.  There’s really not much suspense in guessing our heroine’s fate, but there are moments of sincere heartache and gentle beauty. Continue reading

Thunder and Lightning in The Place Beyond the Pines

The Place Beyond the Pines

If you ride like lightning, you’re going to crash like thunder.

Those words are spoken by auto body shop owner and bank robber Robin (the superlative Ben Mendelsohn).  He’s the colorful character who gets all the best lines and spouts all the wisdom in Derek Cianfrance’s epic generational Upstate New York melodrama that spans fifteen years and is told in three parts.  He says these words to small-time hood, motorcycle carnival trickster, blue-eyed and tattooed baby boy Luke (Ryan Gosling – aka The Gos, in his wheelhouse) who Robin has recently taken under his wing for a couple of bank jobs.

And no words spoken were ever truer.  Luke has just found out that a former fling named Romina (a smoldering Eva Mendes who first appears on-screen in a t-shirt with no bra underneath like KAPOOYA!) had his baby – but she’s trying to move on, do right, and has shacked-up with a real man.  Robin convinces Luke that his particular skill set (riding fast) would be best suited for crime and that is the best way to win back his woman and provide for his family.  But even Robin knows there’s such a thing as riding too fast. Continue reading