The above image appears in the final moments of Tarsem “Is it okay to call you Singh now?” Singh’s operatic and opulent visual feast and “Ode to a Grecian Urn” fantasia film that is Immortals. It’s an image a young boy conjures when he closes his eyes and imagines the Titans and the Gods duking it out in the clouds above, and it’s a magical cinematic moment you’ll wish there was more of in Immortals. When the visionary director focuses on the visions – like an earlier scene where the beautiful Oracle Phaedra (Freida Pinto) first touches our hero Theseus (an appropriately Superman ready Henry Cavill) and is set into a literal 3D tizzy of finely crafted and overt symbolism – it’s enough to make you thank the cinematic gods for Tarsem…almost. Continue reading →
Andy Serkis acts circles around James Franco in new Apes flick.
When the trailers first hit the market for Rise of the Planet of the Apes, I was not impressed. Here it seemed Hollywood was yet again rehashing an old franchise that didn’t warrant revisiting. The effects didn’t look very good, and the story seemed as silly as ever. Sure, I enjoyed the original films as a kid, but even then I recognized them as high camp, and their lame attempts at social commentary were lost inside of actors in goofy ape suits and Charlton Heston’s comical over-emoting. But then the film came out this past weekend, and the good buzz was palpable and made me think I should check it out in spite of my misgivings. I come before you, my readers, willing to admit when I am wrong.
The Rise of the Planet of the Apes is the best reboot of any franchise since Batman Begins. It’s also the most fun I’ve had watching a sci-fi morality tale sinceDistrict 9. While it lacks District 9‘s satirically leanings and over-the-top gore, it makes up for it in character development and emotional involvement. Whereas the original series clumsily drew parallels to the Civil Rights movement, this new incarnation goes back to the age-old warnings against Man abusing Nature and underestimating the power of animal instincts. Continue reading →
A young call center worker from Mumbai with a rough-and-tumble past named Jamal (a likable Dev Patel) becomes a contestant on the Indian version of “Who Wants to Be a Millionaire?” in the hopes that his true love (the beautiful Freida Pinto) will see him on TV and come back to him for good. Much of Slumdog Millionaire is done in flashbacks as the audience learns the personal story behind each of the questions. For some strange reason the filmmakers want us to think a person like Jamal wouldn’t normally know the answers to these random trivia questions, but he does because of his unique life story, see? Well, it’s a mildly interesting central conceit that quickly falls apart. At one point, a policeman questioning Jamal remarks that his story is “bizarrely plausible.” I wish I could say I felt the same. Continue reading →