It’s like Metropolis meets The Matrix meets Magnolia meets The Road meets Star Trek meets Leprechaun meets yadda yadda yadda…ya dig?
Ahhhh…remember 1999? It was sooooo cool to be a sophomore in college and watching movies, man…movies that spoke to my generation. The old people just didn’t get it. This was our time, and film was right there with us at the turn of the millennium saying, “Hey, ma! Look at us! We’re the first people to ever have these cool ideas!” Of all the trailblazing films that came out that year, there are two that stick out in my mind the most as having been born of the moment – the Wachowskis’ The Matrix and Tom Tykwer’s Run Lola Run. Both played with film convention while waxing about alternate realities and parallel lives, and at the time….THEY BLEW MY MIND. Unfortunately The Matrix begat two mind-bogglingly awful sequels that tarnished the legacy of the original, and as gimmicky fun as Run Lola Run was, it just never really held up all that well. Though I liked some of Tykwer’s later work (Perfume still has to be one of the strangest films I’ve ever seen and I was one of the few who liked The International), the Wachowskis completely imploded. And as it turns out, all of those cool ideas were just rehashed from previous cool ideas.
Now thirteen years later after they appeared to be the second-coming of cinema only to crash and burn, the three have teamed up and concocted a dazzlingly ambitious adaptation of David Mitchell’s self-proclaimed unfilmable novel, Cloud Atlas – a nearly indescribable film that will infuriate those who allow it to while it should please those desiring to return to the bygone days of 1999. So what do we talk about when we talk about Cloud Atlas? Continue reading →
I’ll be the first to admit to suffering from superhero fatigue. It seems every summer is overrun by comic book adaptations and superheroes, most of them wallowing in mediocrity and indistinguishable from each other only in levels of awfulness. I choose my poison carefully, and this year I’ve found it refreshing that Hollywood has decided to do comic book period pieces, first with the fun 1960’s set X-Men reboot, and now with the workmanlike 1940’s set Captain America. This is essentially one of many prequels to Marvel’s upcoming Avengers multi-superhero-mega-comic-book-all-star-uber-blockbuster-spectacular, which we get a preview of after the credits. I can’t say that I’m very excited about it, but that doesn’t mean I didn’t enjoy Captain America on its own merits.
Joe Johnston, your poor man’s Steven Spielberg and long-time likeable hack director, channels his Rocketeer roots with this WWII-based expository film about Captain America’s origins and his battle with Red Skull. Continue reading →
Finally…a horror film for old people. Remember back in the early 1990’s when Columbia (do they even exist anymore?) tried to revive the old Universal Horror Films by using Francis Ford Coppola’s gloriously trippy Bram Stoker’s Dracula as their flagship film? I can recall being a precocious kid and seeing the film with my parents when it opened in the theaters around Thanksgiving. And I remember the audience being half filled with senior citizens who were all enthralled, half achy with nostalgia and half scared out of their wits. My parents, the old folks, my friends and I…we all ate it up back then. It was a hip, fun, scary ride totally tricked-out with every old-fashioned cinematic trick Coppola could conjure, loaded with sex and gore and over-the-top scenery chewing performances. Dialed way down and about fifteen years late, but brimming with that same sense of fogged-covered nostalgia mixed with modern gore, Joe Johnston’s gleefully un-hip update of The Wolfman would’ve been the perfect follow-up film to Bram Stoker’s Dracula. Heck, we even have Anthony Hopkins — Van Helsing himself — chewing more scenery than we’ve seen him chew in years as the senior member of the cursed Talbot clan. Continue reading →