When I first saw the trailer for Me and Earl and the Dying Girl…I thought, “Great…another cloying oh-so-insightful movie about teen angst…with cancer!” But then the reviews started coming in and I heard how it was an audience favorite at Sundance, and I thought, “Hmmm, okay, maybe this will be more like The Perks of Being a Wallflower which also had a cliché-ridden trailer but turned out to be a surprisingly good movie.” Both films take place in Pittsburgh oddly enough (an unlikely city that plays nicely on film) and both are based on well-regarded young adult novels.
Now having seen Me and Earl and the Dying Girl, I’m here to report it’s actually more like The Savages, you know, that under-appreciated gem of a character drama starring Laura Linney and Philip Seymour Hoffman as estranged siblings dealing with their father’s descent into dementia (and eventual death). Both films are about the living learning how to live while watching the dying die.
And it’s okay to spend half of my review talking about and comparing Me and Earl and the Dying Girl to other films because it’s a film for film buffs. Continue reading →
Brit Marling has to be one of the strangest young “artists” to emerge from the indie movie scene in the last few years. She has a classic natural beauty, a deep whisper of a voice and an intriguing upside down smile that make her very watchable on-screen. She’s also a writer and ideas creator behind the scenes, cooking up thought-provoking roles for herself and her fellow actors Yet after seeing her in four interesting films (After Earth, Arbitrage, Sound of My Voice and now The East), I’m not entirely convinced of her acting ability. She has a vacant stare (which works to her advantage depending on the role), an aloof physical presence, and while she knows how to cry predictably emo-style in emotional breakdown scenes, she rarely shows any other emotion. It’s like she’s wading slowly through water up to her eyes on-screen.
Well, Marling has re-teamed with co-writer and director Zal Batmanglij for the eco-terrorism indie thriller The East. Whereas in their previous endeavor – the quasi-entrancing Sound of My Voice – Marling played a soft-spoken cult leader claiming to be a time traveler, here in The East she is the corporate operative assigned to infiltrate a clandestine vigilante terrorist co-op which targets corporate polluters and big pharmacy. The group is lead by the soothingly charismatic Alexander Skarsgard, who we eventually learn is a former trust-fund boy turned terrorist. Also on board for the well-rounded cast are Patricia Clarkson (excellent as always but underused) as Marling’s cold client-focused boss and Ellen Page (convincingly dedicated to the cause) as a key player in the terrorist group. Continue reading →