Drop it Like it’s Cold

The Drop

Michael R. Roskam’s Brooklyn set crime thriller, The Drop, is a deceptively pleasant nasty piece of work.

While walking home from work at his cousin Marv’s bar, Bob hears the heart-tugging yelps of a pit bull puppy in the trashcan of the unsuspecting Nadia.  Left with no choice but to rescue the poor dog, Bob is also drawn to Nadia, and thus blooms a romance.  The Drop is one of those “feel-good two lost souls getting together while raising a pet” movies that just so happens to take place inside a gritty little crime flick.  You see, Marv’s bar isn’t an ordinary dive, but a key drop bar for money flowing into a Chechen crime ring.  And that dog was dumped by Nadia’s ex, Eric, a scumbag who may have been involved in the disappearance of a former friend of Marv and Bob ten years earlier.  Adapted for the screen from his own short story “Animal Rescue” by Dennis Lehane, Roskam’s film is oddly paced but still wholly satisfying, where everyone plays their parts effectively, and all of the carefully crafted pieces fall towards a tense and tidy, albeit unpredictable, conclusion. Continue reading

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Difficult Difficult Lemon Difficult

...oh, YES WE CAN!

...oh, YES WE CAN!

A review of IN THE LOOP:

Satire is so hard to pull off.  It’s so far from being “easy peasy lemon squeezy” I would go as far to say that it’s “difficult difficult lemon difficult.”  It’s a British term, you’ll catch on soon.

For the past ten years satire has been regulated to animation (the South Park movie), puppetry (Team America), and well, something called Sacha Baron Cohen, and let’s be honest, is that even real satire, or just mockery?  We really haven’t seen anything live-action of this sort since Wag the Dog, which is why it’s so refreshing to be back In the Loop.  And guess what?  Politics are funny again!

In the Loop is the minor masterstroke of Armando Iannucci, and his central conceit is to imagine a Dr. Strangelove “rush to war” scenario done up in a modern context and filmed like an episode of “The Office” — the British version.  Jesse Armstrong and Simon Blackwell provide the fire power through their whiplash inducing witty dialogue that in turn is spewed forth by a live-wire cast of American and British veterans all playing their A-game. Continue reading