America, Jesus and Freedom in The Campaign

If this isn’t the funniest movie of the summer I will punch you in the face!

Like clockwork every two years near the end of summer a Will Ferrell vehicle arrives on the scene to make a case for the title of funniest movie of the year.  In 2004 it was Anchorman, in 2006 it was Talladega Nights, in 2008 it was Step Brothers and in 2010 it was The Other Guys.  Pretty much everything the SNL funny man has done in between these films (spare for the underrated dramedy Stranger than Fiction) has been crap.  Now, in 2012, here comes The Campaign.

Similarly like clockwork every year as we near November (and even more so in presidential election years) we are overwhelmed by negative campaign ads, increasingly absurd political wrangling and non-stop nattering idiots in the media.  It is this milieu that The Campaign wisely and broadly assails. 

In North Carolina’s Mayberry-esque 14th district, Cam Brady (Will Ferrell, doing a great riff on his previous Dubya impersonation crossed with the perfectly coifed sleaziness of John Edwards) has run uncontested for years on three simple words – America, Jesus and Freedom.  But that’s all about to change when the billionaire corporatist Motch Brothers (Dan Aykroyd and John Lithgow) see an opportunity to put up a puppet candidate who will help them bring Chinese slave labor to American shores.  In walks the incompetent Marty Huggins (Zack Galifianakis, perfectly embodying the oddly effeminate weirdo Southern mamma’s boy archetype) to run against Brady. Continue reading

Rise of the Planet of the Apes

Andy Serkis acts circles around James Franco in new Apes flick.

 
When the trailers first hit the market for Rise of the Planet of the Apes, I was not impressed.  Here it seemed Hollywood was yet again rehashing an old franchise that didn’t warrant revisiting.  The effects didn’t look very good, and the story seemed as silly as ever.  Sure, I enjoyed the original films as a kid, but even then I recognized them as high camp, and their lame attempts at social commentary were lost inside of actors in goofy ape suits and Charlton Heston’s comical over-emoting.  But then the film came out this past weekend, and the good buzz was palpable and made me think I should check it out in spite of my misgivings.  I come before you, my readers, willing to admit when I am wrong.
 
The Rise of the Planet of the Apes is the best reboot of any franchise since Batman Begins.  It’s also the most fun I’ve had watching a sci-fi morality tale since District 9.  While it lacks District 9‘s satirically leanings and over-the-top gore, it makes up for it in character development and emotional involvement.  Whereas the original series clumsily drew parallels to the Civil Rights movement, this new incarnation goes back to the age-old warnings against Man abusing Nature and underestimating the power of animal instincts. Continue reading