Shortly after the 2008 Presidential election, South Park aired one of their greatest episodes of all-time, About Last Night. With their usual juvenile yet savvy aplomb, Trey Parker and Matt Stone gleefully eviscerated both sides of the aisle, but their coup de gras was that the entire election was an elaborate jewel heist. Heck, it turned out that Barack and Michele weren’t even married…they were just two crazy kids, who through the course of the heist fell in love. And with DeBussy’s “Clair de Lune” playing over the closing scenes, those two crazy kids decide to give it all…love…marriage…the presidency…a chance.
Even the crudest of satirists could see that the real-life Barack and Michelle were in love. And that love’s first glimmers spark over the course of 84 minutes in writer/director Richard Tanne’s quasi-fictionalized account of one fateful summer day in Chicago in 1989. The compact film is full of small pleasures and big dreams. Small talk and big dialogue. Continue reading →
1, 2, 3, 4, 5 - who do you think is gonna survive?
There’s an interesting moment about twenty minutes into Drew Goddard’s debut film, The Cabin in the Woods (co-scripted by Joss Whedon) where an inanely bad CGI bird comes gliding down into the open space outside a mountain tunnel and crashes into some kind of invisible electrified grid imprisoning any living thing that travels through the tunnel. As if the weirdly mundane pre-credit sequence featuring Richard Jenkins and Bradley Whitford wasn’t enough to clue viewers in…this moment reminds us that something conspiratorially massive is afoot. Is this “snarky and attractive college kids are about to get stalked and killed in the woods” flick really just some sadistic reality show? Is it all just an overly elaborate set-up for a modern-day spin on yee olde human sacrifice game?
But the bad CGI bird hitting the electrified grid is deliberately misleading because it doesn’t prepare you at all for Goddard’s gleefully bonkers denoument…a rollicking special-effects laden and gore-strewn twenty minutes of balls-to-the-walls horror show fun. I don’t know how else to describe it but to say it’s as if the “Imaginationland” episodes of South Park went live-action meta-horror. The whole thing is wonderfully paced to lull you into thinking it’s going through the genre motions only to defy every expectation you have of a modern horror film. Continue reading →