The 8th Annual Davies Awards in Film

A Look Back at 2013:

It angers me when people complain about the state of film today.  Yes, there’s an orgiastic onslaught of celluloid and digital excrement shoveled into multiplexes every year…but if 2013 proved anything, it’s that art finds a way to survive and quite often thrives in the manure laid across the silver screen.  This past year saw both one of the most accessible art films (12 Years a Slave) and one of the most artistic blockbusters (Gravity) of the decade blossom in the verdant soil of cinema.  I mean hell, Gravity proved that a money gouging gimmick (3D) utilized in so much of that dross that strangles viewers every year can actually be used in the correct artistic context to add…fancy that…new dimensions to film.

And survival and blossoming in the midst of a shit storm – thematically that’s what the year in film was about.  Witness surviving: being kidnapped into slavery (12 Years a Slave), outer space calamities (Gravity), adolescence (Mud), young adulthood (Frances Ha), marriage (Before Midnight), the sins of the father (The Place Beyond the Pines), the lonely high seas (All is Lost), Somali pirates (Captain Phillips), and false persecution (The Hunt).  Hmmm…they do say that all great stories are essentially the same story, don’t they?

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Thunder and Lightning in The Place Beyond the Pines

The Place Beyond the Pines

If you ride like lightning, you’re going to crash like thunder.

Those words are spoken by auto body shop owner and bank robber Robin (the superlative Ben Mendelsohn).  He’s the colorful character who gets all the best lines and spouts all the wisdom in Derek Cianfrance’s epic generational Upstate New York melodrama that spans fifteen years and is told in three parts.  He says these words to small-time hood, motorcycle carnival trickster, blue-eyed and tattooed baby boy Luke (Ryan Gosling – aka The Gos, in his wheelhouse) who Robin has recently taken under his wing for a couple of bank jobs.

And no words spoken were ever truer.  Luke has just found out that a former fling named Romina (a smoldering Eva Mendes who first appears on-screen in a t-shirt with no bra underneath like KAPOOYA!) had his baby – but she’s trying to move on, do right, and has shacked-up with a real man.  Robin convinces Luke that his particular skill set (riding fast) would be best suited for crime and that is the best way to win back his woman and provide for his family.  But even Robin knows there’s such a thing as riding too fast. Continue reading