It could really happen, the news clips prefacing the movie tell us. Fjords are dangerous places, and if a mountain just up and decides to slip into one, as it does in Geiranger, Norway in Roar Uthaug’s slickly produced Bolgen (aka The Wave), there are gonna be a lotta people running for higher ground.
The Wave is a better than average disaster flick that balks at the over-the-top cartoonishness of its American brethren like 2012 (still one of my favorite comedies) and the recent San Andreas (which I was able to watch entirely in French on a plane from Paris last fall and didn’t need one bit of comprehensible dialogue to know what was happening – ironically, I’m told, which is the exact same experience as watching it in my native English). There’s no Rock here, except for the rock slide that causes the catastrophic lake tsunami, which is rendered with truly spectacular special effects that rival the superior work done in The Impossible. Continue reading →
Director J. A. Bayona brings the tsunami to horrifying life on the big screen in THE IMPOSSIBLE.
In December of 2004, Maria Belon and her family were among the many who experienced first-hand one of the worst natural disasters in the history of the world when a tsunami overwhelmed large swaths of Southeast Asia including the coastal resort area of Thailand where Belon and her family were spending the holidays. Director Juan Antonio Bayona (who previously put viewers through tear-soaked thrills in the Catholic ghost story, The Orphanage) has adapted Belon’s harrowing tale for the silver screen. Here Maria Belon becomes Maria Bennet (the incomparable Naomi Watts) and her husband is played by Ewan McGregor and three boys by newcomers Tom Holland, Samuel Joslin and Oaklee Pendergast. They’re a picture perfect beautiful British family living abroad, and Bayona, in ways both Spielbergian and Hitchcockian, puts them through the wringer in this tsunami horror-show tear-jerk thriller that pulls all the right strings.
The Impossible is worth the price of a ticket just for the ten minute tsunami sequence, frighteningly realized without CGI and done all with scale models and a giant water tank. Bayona in the sequences building up to the disaster uses sound effects for foreshadowing, and by replaying the tsunami through the eyes of Maria and her eldest son Lucas (Tom Holland in a riveting star-making performance), he totally immerses the viewer in the chaos of the event tossing the two actors around like rag dolls in the deluge of water and menacing debris that tears and rips at human flesh relentlessly. Continue reading →