The Quick Spin on Woody, Blue, Blood and Lucy

Here’s a quick rundown on 2 flicks still in theaters (Magic in the Moonlight and Lucy) and 2 on Netflix (Blood Ties and Blue Ruin):

Magic in the Moonlight

Magic in the Moonlight – Woody Allen’s latest is a postcard pretty period-piece set on the sun-splashed French coast and countryside.  Here a renowned magician (Colin Firth) travels to France at the behest of his friend to debunk an American spiritualist (Emma Stone).  The whole film, like Emma Stone (luminously photographed in classic Allen fashion to play up her best features – that red hair, those blue eyes, that mischievous smile) is ridiculously good-looking and light on its feet.  Stone soaks up the sun and Allen’s directorial affections, plumbing her plucky personality to its most glorious depths.  Her performance, which takes on the allure of a subtle silent film starlet, is almost transcendent.  The film, far from Allen’s greatest, is sill a pleasure to watch, and would’ve been forgettable if not for Stone’s classically styled star turn.  Word on the street is she’s signed up for another Allen flick.  Like her character, clever girl.

Bottom Line:  Spin once.  Watch out for Emma Stone’s next Woody.

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Spotlight on the Independent Arts: The Skeptic

***This is the first post in a new feature I plan to showcase here at The Schleicher Spin called Spotlight on the Independent Arts.  

The goal is to give exposure to, encourage collaboration with, and provide honest critiques for independent artists.  I hope to feature filmmakers, writers, photographers, painters and musicians.  As an independent author, I feel it’s important to support and celebrate those working independently to forge their careers in the arts.   

If you are an independent artist interested in having your film, book, music or art considered by The Schleicher Spin for a Spotlight feature, please submit a comment. 

The first entry will focus on the IFC film, The Skeptic, written and directed by Tennyson Bardwell. 

The Skeptic

Independent Film The Skeptic 

The Lowdown:  An emotionless lawyer (Tim Daly) inherits the creepy, old house of his recently deceased aunt.  To get away from his crumbling marriage, he moves into the house and quickly encounters strange occurrences and uncovers family secrets which challenge his militant skepticism of all things paranormal.  Continue reading

A Review of “Star Trek”

And Hollywood boldly goes where only ten films and five TV series have gone before...

And Hollywood boldly goes where only ten films and five TV series have gone before...

 Damn it, Jim, I’m a TV Producer not a Film Director!

7/10

Author: David H. Schleicher

TV guru extraordinaire J. J. Abrams beams up as producer and director of this zippy and serviceable relaunch of the moribund Star Trek film series, itself a spin-off Gene Roddenberry’s iconic 1960’s sci-fi drama. There’s plenty of circularity in concept and execution as Abrams does an adequate job of paying homage to the original TV series while giving everything a big epic, slick, modern film veneer. Abrams displays his usual flippant emo-sensibilities (lest we not forget his first claim to fame was the insufferable TV show “Felicity”) in creating a colorful back-story to familiar characters, but he wisely focuses on action for the better parts of the film and keeps the pacing at warp speed even though we really know he just wants to play with Trekkies’ emotions, much in the same way a swaggering Kirk antagonizes the desperately logical Spock.

Though Zachary Quinto is fairly lifeless as Spock, the rest of the cast is up to task doing fine impersonations of the senior Trek crew. Simon Pegg gets plenty of laughs as Scotty, and Karl Urban is mockingly masterful in his delivery of all the classic Doc McCoy witticisms. As the young Kirk, Chris Pine puts an entertaining spin on the role as he seems to be channeling both Christian Slater doing Jack Nicholson and, well, Chris Pine doing William Shatner. But it’s only the dashingly smart and sexy Zoe Saldana who takes things to a new level by giving Uhura a personality and vibrancy that was never apparent in the original film series.

Comparing the film to others in the series, it probably ranks somewhere in the middle. By far it displays the best production values and special effects of any Trek before it on the big or small screen. Always crucial to the film series, the villain in this one (a tattooed Romulan named Nero played by Eric Bana) is clearly no match for the mythic-sized Khan of said Wrath of… or the unstoppable Borg Queen of the Next Generation’s First Contact.  And while the early years of Kirk, Spock and the U. S. S. Enterprise are fairly well played here, the main storyline is where the film really suffers as it mashes up a big old mess of a plot involving black holes, time travel and planetary annihilation.

While I grew up watching the “Next Generation” on TV and enjoyed the original film series, I’m by no means a Trek purist. I am, however, a stickler for good storytelling. By playing with all this time-travel mumbo-jumbo, the screenwriters have essentially wiped the slate clean and negated the entire original series. The same old characters are now free to roam outer space on brand new missions, which is a brilliant business building ploy but lazy writing and a big cop-out. By going backwards in the serial mythos instead of forging ahead further into the future, the filmmakers have backed themselves into a corner. Just how many of these new adventures can the old crew have? And will it all lead to the inevitable…Picard’s Academy Days or the origins of Data? While this new film was modestly entertaining and better than your average sci-fi flick, it didn’t really leave me clamoring for more. Will the filmmakers eventually “make it so?”  Quite frankly, I’m indifferent, though Abrams probably “gave it all she’s got”.

Originally Published on the Internet Movie Database.