The Future of the Science Fiction Genre and First of Their Kind

Science fiction is a genre I have a love-hate relationship with. It so often has been co-opted by fantasy and rarely focuses on the science half anymore. Even my once beloved Star Trek, which used to explore alien lands and space exploration through the veil of politics and philosophy, has devolved into action-based space opera nonsense. Sometimes when co-opted by horror (see Alien) it can be fun as hell, but more often than not schlock. And when it’s just one of the flavors of something more satirical and speculative, ala the works of Kurt Vonnegut or Margaret Atwood in novel-form and Black Mirror in streaming serialized form, it reaches my preferred heights. Then, of course, there’s the guilty pleasure of something like Verhoeven’s film adaptation of Starship Troopers (action! satire! fascism! horror! gore!)

But it’s been a long, long time since we had something like 2001: A Space Odyssey – Kubrick’s seminal film which turned science-fiction into a religious experience. Let’s not forget though, it was based on a dry, very serious-minded short story by legendary science-fiction writer Arthur C. Clarke. Which brings us to First of Their Kind…a novel I discovered while promoting my own during #IndieApril. I was nervous to approach it, as it was science fiction, and the last science fiction novel I read (Artemis by Andy Weir) was a huge disappointment. Thankfully, I took the gamble…

C. D. Tavenor’s debut novel, First of Their Kind, harkens back to the best work of Arthur C. Clarke. This is serious science fiction that focuses on well thought-out and researched science and its potential future applications. Continue reading

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When Night Falls on Niagara Published by Eunoia Review

When Night Falls on Niagara – a short story inspired by some fanciful conversations while on a family trip to Niagara Falls in 2017 – was published this month by the digital literary magazine, Eunoia Review.

Here’s an excerpt:

When night falls on Niagara I follow her. She stops for coffee every night before her shift starts. “Gloria” is the name scribbled in playful black marker on her coffee cup, but she doesn’t look like a Gloria to me. I don’t know what I would name her, but definitely not Gloria. It must be an alias…or perhaps a nostalgic reference to an old family joke from childhood. When I was a kid my father would make up names for us any time we went for ice cream or smoothies and the person behind the counter asked for our names to identify our soon to be prepared sweet treats. We would then make up the funniest stories about our new identities. Dad was a Spanish clown with robotic arms or an artisanal vegan baker who communicated only in mime. I would be an antique mailbox reclamation artist or a dog hypnotist who could identify your pooch’s past lives. I wondered…who was Gloria? A freelance myna bird trainer whose failed dreams of being a ballerina haunted her? A former music teacher who now taught cats sign language? Did Gloria dream of hitting the jackpot at the casino so she could fly off to Paris and buy that pied-à-terre in Montmartre? Haunted longing hung delicately on her face with her perpetually downturned eyes.

The constant roar of the falls outside drowned out my more fanciful thoughts as I followed her up the hill to that old skinny brick building with the iron fire escape cascading down its long side. Facing the water, it seemed to mirror the river tumbling down into the colorfully lit nighttime abyss. The seven-story building was all dark at 10pm until she entered. I imagined inside there was no working elevator, and I could hear her steps as she walked up to the top floor. Then, on my perfectly timed beat, that single yellow glow would appear in the window on the top left-hand side of the building’s long, sad face, as if it was an eternally tired person who could just barely keep one eye open…the falls before them forever churning like their ennui.

Read the whole story @ Eunoia Review

Boko Haram’s Greatest Hits Published by A Million and One Magazine

Image result for mcmenamin's tavern germantown ave

Boko Haram’s Greatest Hits – a short story inspired by a conversation between two strangers that I overheard while having lunch and a drink at McMenemin’s Tavern on Germantown Avenue in Philadelphia while being “trapped” at the nearby apartment of my then girlfriend (now wife) during an over-hyped snowstorm – was published this month by the new digital arts magazine, A Million and One Magazine.

Suffice it say, I’m kinda stoked.

Here’s an excerpt:

Jasmin entered the pub where only a few other weary souls were gathered.  It was dark, sepia-lit, and humming with TV’s and congenial human murmuring.  It smelled like a pub should: meat and potatoes, spilt beer, table top cleaner, and moldy wood.  Snow tracked in on the floor quickly turned to water.  She sat down at the corner stool where she leaned her violin case against the bar.

Some storm,” she heard patrons at a table remark as they watched the updated weather forecast on the TV.

There was a picturesque dusting of frozen precipitation outside, but nothing more.  It was certainly not the snowpocalypse they had predicted last night.  It was enough of a panic, though, for many flights to have been delayed.  So here she was, at mid-week, mid-afternoon, in some townie bar, just looking to kill time.

“What can I get you?” a bartender asked.

“A chardonnay,” she replied in a pleasant sigh.

Wes came out of the men’s room and stumbled back to his stool, one over from hers and against the wall.  He conspicuously looked her up and down and noticed the violin case against the bar, travel-worn and adorned with stickers from all over the world.  San Francisco.  London.  Paris.  Cairo.  Lagos.  He was instantly drawn to her well-dressed African-ness.  The academic braids.  The glasses.  The smart sweater.  Her stylish boots and well-fitting dark jeans.

Jasmin was slightly put off by his hipster scruffiness.  The shaggy hair.  The beard.  The flannel shirt.  Had she realized someone was sitting so close she might have opted for another stool or even a table.  She sensed him checking her out and it made her uncomfortable as she took a sip of wine.

Read the whole story @ A Million and One Magazine

 

Find Your Thrills During Indie April

#IndieApril will be coming to a close soon, so I wanted to share with readers some of the great indie writers I discovered this year who write the type of stuff I like to read and write.

First up is Pray for the Girl by Joseph Souza, which I received an advanced review copy of in March, quickly devoured all of its twists, and wrote a full review of it at The Spin a few weeks ago.

“Souza’s novel follows many of the standard modern murder mystery tropes, but’s it’s all told from the point of view of a protagonist unlike any other…In Lucy Abbott, Souza has created an unforgettable character who is tortured, complex, and tough as nails.”

Get your copy of Pray for the Girl – on sale as of April 30th.

Next up is a stand alone short story from Jenna Moquin, Stone Storm, about a man who finds a dead body in a blizzard and then fears the killer may have snuck into his farmhouse for shelter.

“Edgar Allan Poe tales are often over-used for inspiration for far too many uninspired tales. Luckily, with Jenna Moquin’s Stone Storm we have one of the more effective uses of a classic Poe theme. I won’t mention which of his fabled short stories serves as inspiration here, as it would give too much away, but this is one of the better updates I’ve read.”

Download Stone Storm to your Kindle app for one cent less than a buck.

Lastly we have John Greco’s short story collection, Bitter Ends.

“John Greco’s short story collection, Bitter Ends, is jam-packed with quick, nasty little numbers full of cheating and murdering spouses and twisty turns of fate. If there’s a lesson to be found…it’s probably this: never agree to a prenup. While some of the stories seem more like sketches and aren’t as fleshed out as others, there are a few real stand-outs of the noir genre: Good for Nothing, We All Got What We Wanted (probably my favorite…with its Upstate New York setting), and A Marriage to Die For.

Bitter Ends is available in paperback and Kindle ebook editions.

Follow me on Goodreads where you can read full reviews of Stone Storm and Bitter Ends.

The Twisting Thrills and Complex Humanism of Joseph Souza’s Pray for the Girl

Where does one even begin to review a book like Joseph Souza’s Pray for the Girl? And how can any in-depth analysis not reveal one of its major plot twists? And believe me, there are many jaw-droppers here. Souza’s novel follows many of the standard modern murder mystery tropes, but’s it’s all told from the point of view of a protagonist unlike any other.

Lucy Abbott is a veteran of the Afghan War, both emotionally and physically scarred by her experiences and haunted by the death of a young girl she couldn’t save while stationed there. After a stint in New York City where she honed her culinary skills as a way to avoid dealing with her PTSD and other issues, she returns home to Fawn Grove, Maine to help her ailing sister only to find the once proud mill town economically devastated and tensions rising between the townies and recent influx of Afghan refugees. When a young Afghan girl (like the girl Lucy couldn’t save in the war) is found buried up to her head and stoned to death, Lucy takes on the classic role of amateur detective as a way to wrestle her own demons and find redemption, she hopes for both herself and her town.

In Lucy Abbott, Souza has created an unforgettable character who is tortured, complex, and tough as nails. Her PTSD only scratches the surface of what she’s been through and amplifies the conflicts she’s had with her own identity all her life. Continue reading

Spotlight on the Independent Arts: Krisha

krisha-movie-poster-banner-courtesy-a24-films

From its cold, brooding Bergmanesque opening…to the discordant chords of its Johnny Greenwood style score…to the cyclorama of its spinning DePalma inspired camera…writer/director/star Trey Edward Shults borrows from the best to put on display one woman’s spiraling miasma of bad life choices, addiction and emotional abuse that can’t help but tar the lungs of everyone around her like lingering cigarette smoke.

Krisha looks like a student film but hums like a the seasoned work of a master. When Krisha (played with eerie frantic madness by Krisha Fairchild, the director’s own aunt) pops in for Thanksgiving dinner, the tension slowly builds amongst the family. Shults brilliantly shows Krisha’s various levels of disconnect and desperation as she both distances herself and awkwardly tries to connect…her dependency on a variety of mind-altering substances coupled with her hysteric self-doubt and self-loathing building a psychic wall that haunts the house and her loved ones like a screaming banshee.

While I expected to see a dysfunctional family and the holiday from hell, I did not expect the level of studied cinematic touches Shults employs. Continue reading

Spotlight on The Independent Arts: The Better Angels

Better Angels 3

A. J. Edwards, a student and artistic son of Terrence Malick, opens his debut film with cold, haunting shots of the Lincoln Memorial.  A crackling Malickian voice-over of a backwoods fella talkin’ bout being Lincoln’s cousin and having lived with him for a spell when he was just a boy in Indiana begins to shape the story as the image moves to a rambling creak.  Water is transporting us back in time, back into a dream, and we’re suddenly there watching young Abe make his way in the world.  The film ends just a brief 90 minutes later with a chilling bookend…a nicely appointed cabin in Illinois (a clear step-up from the backwoods cabins of his father) where that same warbling cousin waxes about the moment Lincoln’s beloved stepmother (Diane Kruger) learns of his passing.  It’s the grand beautiful stuff of myth.

Watching The Better Angels and comparing it to the work of Malick is akin to comparing painters from the same family.  One can’t help but think of the generations of Wyeths or Renoirs.  Edwards does something Malick never did – he films in black and white – but the movements and framing and pacing and focus are eerily the same.  A low shot panning up to an open gate…or door…or window.  The actors and actresses moving about as if in interpretative dance.  Beautiful music.  Ethereal cinematography of nature.  There’s one shot of Lincoln’s mother (Brit Marling) on her death-bed where Edwards actually photographs her last breath…you see it hang in the air after her exhale, and its captured in a perfect light.  Dust and smoke and light…the black and white photography does wonders for all that Edwards and Malick love to capture.

Continue reading

coldspace Published by The Eunoia Review

The grey stripped asphalt of the lonely country road outside his home would soon bring mourners. 

It was the coldest winter in over fifty years.  Could he remember being that cold?

Andrew Wyeth's Christmas Morning

Andrew Wyeth’s Christmas Morning

It’s with great pleasure that I announce coldspace, my homage to Andrew Wyeth written in a quasi-stream-of-consciousness fit of inspiration the day his death was announced in January of 2009, has found a home on The Eunoia Review. 

Click here to read the full story.

Reader beware, the story contains some indulgent run-on sentences and is a bit more experimental than my usual fare.

Who knew that all these years later it would be published…and that THIS winter of 2014 would supplant those winters of Wyeth as the coldest in memory?

The Eunoia Review is an online literary journal committed to sharing the fruits of beautiful thinking.  Publishing eclectic and unique works daily, it has become the home for hundreds of writers over the years and a regular destination for readers looking for those entrancing “Buddhist catnaps” of Kurt Vonnegut lore.

Down Gallow’s Way Published in Underground Voices’ 2013 Anthology: Red Moon District

Underground Voices Red Mood District CoverUnderground Voices Red Mood District Back Cover

Just in time for last-minute holiday shopping, Underground Voices has released their 2013 Anthology featuring a selection of potent tales including my very own short story, “Down Gallow’s Way”.

The anthology, titled Red Moon District, can be purchased online through Amazon.com or Barnes & Noble.

Pick up a copy and support indie authors, an indie publisher, and most importantly, your ol’ pal Dave.

Here’s an excerpt from “Down Gallow’s Way” to wet your whistle…

So when I moved into Clementine’s house just off the pike, the little blue rancher with the overgrown lawn and rusted metal fence that stood in the center of a clusterfuck of lesser homes and doublewides nestled at a fork in the road, we were in the middle of that blasted April heat wave. After the wretched winter of the snowpocalypse where we were hit with record snowfall amounts and left to trudge through mountains of the stuff that seemed like it wouldn’t melt until May (it was gone by March), it seemed a welcome slap in the face to be hit with record heat just after Easter. Clem’s AC didn’t work, and I was no handyman. So we spent those nights in Saundra’s chilled-to-the-bone doublewide drinking beers and watching the Phillies’ games, passing Lil’ Bibbs from knee to knee, bouncing all the way until he was as Clem liked to say, “right tuckered out.” Bibbs was, of course, always out on the road working. He was probably doing more laying of pipe than driving I imagined, but Saundra seemed blissfully oblivious.

Underground Voices started as an online literary magazine in 2004 publishing hard-hitting, raw, dark fiction, flash fiction and poetry. In 2006, it started publishing an annual print edition, alongside the monthly online issues. In 2009, they expanded into a small press. And finally, in 2013, they decided to become an independent book publisher only, publishing 1-5 books a year.

Spotlight on the Independent Arts: In the Family

In the Family

With the recent Supreme Court ruling that struck down DOMA, it seemed fitting for The Spin’s Spotlight to turn to In the Family – a scrappy but subtle independent film that struggled to find a distributor, was rejected at many festivals, was ultimately released by the filmmaker himself into a smattering of art houses in New York last year where it quietly received some raves (from the late Ebert and the Times) and is now currently available through Netflix.

*SPOILERS AHEAD – this is as much a review of the film as it is a study of the film’s techniques and storytelling style*

Joey Williams (Patrick Wang) is a mild-mannered contractor from a small town in Tennessee.  He lives with Cody (Trevor St John), a fine upstanding middle-school math teacher, and together they raise Cody’s six-year old biological son, Chip (Sebastian Banes), as their son.  Their life couldn’t be more ordinary, more peaceful:  Chip is obsessed with dragons and talks too much, Joey works long hours and always drinks a beer before bed and Cody passionately runs his classroom like clockwork.  They hang out with friends and family, who range from wholeheartedly to awkwardly accepting of this happy little family unit.  They talk.  They laugh.  All is well.  But then Cody dies in a car crash, and Joey is suddenly thrust into a situation where he has no legal standing to keep his son and the only testament left behind is from just after Chip was born and before Cody got together with Joey where Cody left everything (the house, Chip) to his sister Eileen (Kelly McAndrew).  Suddenly, in a fit of confusion and poor communication, the sister takes Chip, there’s a restraining order, and Joey’s world comes crashing in on him.

Sounds melodramatic, right?  Sounds like the perfect story for a filmmaker to get on a soapbox, right?  Sounds like someone’s going to take a stand…draw a clear line in the sand, right?  WRONG.  Great care is taken, and great restraint is shown.  Continue reading