Can’t get to France this fall? No worries…get the best of France and North America in one shot in Montreal, and at a fraction of the cost! We enjoyed a long holiday weekend there (Columbus Day for the Yanks, Thanksgiving for the Canucks) and took in some great fall foliage, architecture, art and music. Highlights included:
A Robert Maplethorpe exhibit (Isabella Rossellini, unlike for David Letterman on one famous occasion, was-a-show…or, well, at least a famous portrait of her was) at the Montreal Museum of Fine Arts, which has to be one of the most confusing museums to navigate
A Postmodern Jukebox concert at the Place des Arts where three numbers brought down the house (Casey Abrams’s wacko-bluesy slow-down of Sweet Child O’ Mine, Morgan James soulful tear-inducing rendition of Take Me to Church, and Maiya Sykes sassy cover of Creep)
A hike up Mount Royal for some killer leaf-porn and skyscraping views
Local tip: check out great views of Old Montreal (and the Notre Dame Basilica) from atop Hotel Nelligan’s rooftop bar and terrace (the terrace season closed on Monday). It’s also a totally chill and cozy place to just hang out in the lobby bar/restaurant on a rainy day.
*** Actual dialogue and “how this all went down” dramatized here for effect.
*** Bonus Points if you correctly guess the source of the literary quote used for the title of this post! (Wedding Guests are Disqualified)
This October, I…we… got hitched…right there in Philadelphia’s Wissahickon Park amidst the autumnal splendor. The weather, the company, the location, the colors…it couldn’t have gone better.
Knowing the fleeting nature of fall’s fickle resplendence, we returned to the scene of the crime the following week (on the last day of October) to enjoy the natural beauty sans the marital hubbub before all the leaves fell and winter set in (alas we live not in a world of Game of Thrones where winter’s coming takes…forever).
For those faithful readers who have keenly noted/questioned the decrease in frequency of film reviews in 2015 (note: I’ve been going to the movies just about the same amount as other years, it’s just too many of the films have failed to inspire me to write…I mean, The Martian? What a snore…next!) or have wondered when the next short story might be coming down the pike (who knows?)…I sincerely thank you…and now you know I’ve been busy writing another kind of story with a co-author, one of the best kind of stories – a living story that has evolved into a novel, that will now be serialized and open-ended. Through these pictures I hope you enjoy the magnificence of Wissahickon Park as much as we have over the past year and a half and hope to continue to do so until we are old and gray. Until I see you again, dear readers…at the movies. Continue reading →
Laurel Hill Cemetery in Philadelphia’s East Falls’ section overlooking the Schuylkill River between Kelly and Ridge Drives is one of the oldest cemeteries in the nation. It houses such pop culture artifacts as Veteran Stadium seats surrounding Harry Kalas’ microphone-shaped tombstone and Adriaaaaaane! Balboa’s fake grave. It’s also the eternal resting place of numerous historical dignitaries from various wars and the Philadelphia area along with countless family plots dating back to the early 1800’s. The gardens of the dead there are sprawling, monument-laden and fecund with stories told and untold. It’s a perfect spot for an autumnal stroll as the towering trees sheading their brightly covered leaves under the waning sun cast a perfect light on the splendid environs.
Below are photos I captured on one such Sunday stroll.
…and The Schleicher Spin’s 564th bad horror film you should not watch this Halloween season:
Children of the Corn – and all its misbegotten sequels. Like seriously, what the hell was Stephen King thinking? How much corn whiskey was he drinking back then? Instead, you shouldwatch these films or this film.
…and here are a few shots from inside a corn maze in Egg Harbor City, NJ taken a few weekends ago:
Disclaimer: No corn was harmed during the making of these photos.
As not only the birthplace of baseball but also the birthplace of the American novel, Cooperstown, New York (named for the family that spawned America’s first great novelist, James Fenimore Cooper) is an endless source of inspiration. After last year’s visit in early Spring, I decided I wanted to make a yearly pilgrimage to the place of Glimmerglass and Doubleday, leaves and lakes, ballplayers and writers, Coopers and Mohicans. Mid-Autumn is an intoxicating sight to behold in Cooperstown and around Lake Otsego. It’s the time of year when the “off season” is just beginning, part-time locals are enjoying a less crowded hamlet before retiring to warmer climates, year-round natives are still enjoying the nicer weather, the last shot of selective tourists leisurely ascends into town for fall foliage or in honor of the baseball playoff season, the few remaining sailboats glide over Glimmerglass, and the wildlife still roams freely but sleepily as they settle in for their upcoming long winter’s nap. Hibernation, ice and loneliness await as the leaves slowly dance down from the treetops and cover the sidewalks as a colorful precursor to the white snow that will blanket the area all too soon.
Strangely enough, following one post on how light — particularly the beautiful light in September — can affect photography and another on The Greatest Living Film Composers, I finally watched Silent Light — a film drenched in breathtaking images and natural lighting that has no music score. It’s one of those art films that was much discussed last year amongst cineastes but little seen by anyone outside of the international film festival circuit. As fall is often the season of slowing down and taking stock of your life, it could only be considered perfect timing that Netflix delivered it to my door just as we approached the autumnal equinox.
A Resurrection of Cinema
Carlos Reygadas’ Silent Light (Stellet Licht) is a direct descendent of silent film. Continue reading →