Currently in cinemas across the nation two films take on the old “film within a film” schtick – one going absurd while the other playing it straight. Both have garnered critical acclaim but only one has seen box office success and is being bandied about with awards buzz. Seven Psychopaths and Argo couldn’t be more different in style, substance and intent – yet they both hang (and in one case, hang themself) on the central conceit of a film within a film.
First up is Seven Psychopaths. Boring title and lousy marketing aside, I had high hopes for award-winning playwright Martin McDonagh’s second feature film as his first, In Bruges, is one of my favorite films from the past five years. The plot of Seven Psychopaths sounded darkly madcap enough – a hapless bunch of dog thieves (Christopher Walken and Sam Rockwell) kidnap the dog of a gangster (Woody Harrelson) and hilarious melee ensues. Sadly, what might have made a good short-story is trapped amongst other not-so-good stories as one of the friends of these dog-nappers is a struggling, alcoholic writer (Colin Farrell) working on a terrible screenplay called Seven Psychopaths that he intends to use to eschew the typical psychopathic thriller. We get introduced to these psychopaths as he makes them up and some are more interesting than the rest, though as Walken’s character puts it so succinctly at one point, “It all gets a little tiresome after a while.” Continue reading