At one point in Tom McCarthy’s deftly handled expose on the exhaustive investigative journalism done by the Boston Globe to uncover the labyrinthine and monolithic Catholic Church sex abuse scandal in 2002, a character coldly observes, “If it takes a village to raise a child, it also takes a village to abuse one.” Logically it then follows, that it would also take a village to shine a light on corruption.
There’s another great line uttered by Liev Schreiber (who shrewdly plays the Jewish city-hopping editor who turns the Spotlight team onto the case) at the dawn of the story going public where he says something to the effect of, “When we’re fumbling around in the dark and you finally get to shine a light on something, it’s easy to find blame in your own fumbling.” The journalists in Spotlight (all former or current Catholics) are riddled with the guilt the Church (and life) drill into you, knowing that something should’ve been done earlier, and the film is filled with these types of keen insights and great lines without ever becoming didactic. Continue reading →
Let’s get one thing straight – Scarlett Johansson is so smoldering in The Avengers, I was aghast. I mean can this woman get any sexier? And director Joss Whedon wisely places her in tight-fitting outfits and under perfect lighting and has her kick wall to wall ass as super assassin Black Widow. As ho-hum as some of the rest of this film was, for me, bottom line – Johansson and how Whedon utilized her assets were worth the price of admission. But enough of that…
Break out the extra-large, layered butter, heavily salted popcorn and enjoy this thing for whatever deviant or nostalgic or escapist reasons you so choose. Here’s the patented Schleicher Spin rundown: Continue reading →
In 1950’s Boston, two U.S. Federal Marshals (Leonardo DiCaprio and Mark Ruffalo) get trapped on an island that is home to a hospital for the criminally insane during a hurricane while investigating the disappearance of a psychotic patient (Emily Mortimer) in Martin Scorsese’s long-awaited screen adaptation of Dennis Lehane’s best-selling novel.
How long was the wait? Well, it was long enough for me to read Lehane’s book between the original and actual release dates. And was it worth it? Oh, you betcha! And let’s get another thing straight, boss. Shutter Island is a “lesser” Scorsese…as in Full Metal Jacket is a “lesser” Kubrick. It also means this is the Scorsese I fell in love with as a kid. Yup, my first exposure to the greatest living American director was Cape Fear, another “lesser” film. Continue reading →
Upon sterling recommendations from fellow film blogger John Greco and fellow independent Philly-based novelist Christopher Tait, I decided to make the most of my time waiting for Martin Scorsese’s adaptation of Dennis Lehane’s novel, Shutter Island, to be released in theaters by…well, would you look at that…reading the novel. I was a big fan of previous film adaptations of Lehane’s books, Mystic River and Gone Baby Gone, so I was eager to finally dive into the source material. Continue reading →