Below is The Spin on three end of the year awards hopefuls…all British biopics about tortured geniuses that when viewed together represent the best and worst of classic Oscar-bait.
First up is the finely pedigreed Mr. Turner from Academy darling writer/director Mike Leigh detailing the waning years of famed eccentric proto-Impressionist maritime artist J. M. W. Turner. The film contains a lot of what one comes to expect from a Leigh project: Timothy Spall superb in the lead role, gritty yet refined attention to realism, fantastic supporting turns from a sometimes improvising cast, and excellent dialogue (the dark, dry, British humor runs delightfully amuck here). The film also contains some surprises, most notably the perfectly lit cinematography from Dick Pope who photographs the film like a moving painting, masterfully capturing the scenes and environments (the approach of a retired warship he would later paint coming into harbor while Turner and his friends row out to meet it is fantastically rendered) that inspired Turner’s art. Continue reading →
Let’s get the elephant in the room out of the way first. Russell Crowe is in his mid-forties and playing the “younger” Robin Hood — you know, as is the trend these days to show us how the men became the legends. He’s utterly mis-cast in the role. Being such a chameleon of an actor in his younger days has taken its toll on Mr. Crowe, and he hasn’t aged well. He’s reached that point in his career where he now only plays Russell Crowe — you know, that bullish, overweight, talented dude full of piss and vinegar on and off the screen. Thankfully, his old pal Ridley Scott still loves him, and you have to give the director some props for not giving a damn about the age thing (hell, Sir Ridley is in his seventies himself) and casting ol’ Russell in the title role of his revamp of Robin Hood. He then had the good sense to cast (shouldn’t she be Dame by now?) Cate Blanchett as a feisty Lady Marion, and for fans of old school Hollywood epics, it’s a real treat to see two accomplished Oscar winners create palpable chemistry and act against each other within the comfortable context of well-worn characters.
Ridley Scott has traversed many genres, but he — more than any director out there — knows his way around historical epics. Let’s not forget it was his first marriage to Russell Crowe in Gladiator that brought the two their biggest hit — and deservedly so. His Robin Hood (though I already can imagine a bloated director’s cut coming to Blu-Ray) is surprisingly quick-footed. Continue reading →