The Tree of Life - Submerging memories through film.
Still awash in fresh memories of Terrence Malick’s The Tree of Life, I watched for the first time Andrei Tarkovsky’s 1975 film The Mirror. The problem I’ve had with Tarkovsky films in the past (especially Stalker, which I found tedious and nearly impenetrable though certain moments and images have stubbornly stuck with me) is that I feel like you need an advanced degree in Russian history to understand the context and symbolism. With Malick’s film, however, illuminating the way, I found Tarkovsky’s The Mirror to be deeply rewarding on multiple levels, and it emerged as an unforgettable cinematic experience deserving of repeated views.
The two films are strikingly similar: deeply personal, semi-autobiographical, supplemented by other art forms (classical music is used exquisitely in both, while The Mirror also drew upon original poetry) and constructed in a stream-of-consciousness style made to evoke dreams and memories. Both films are deeply rooted in the childhoods of their makers. Continue reading →
Twas the stars and my Netflix queue aligned this weekend as the Hurri-Rain-Pocalypse pimp-slapped the East Coast (thanks El Nino!) and delivered to my mailbox were no less than three monumentally bad movies to pass the time as flood waters receded. One of these films was so awful, it reached that rarified pantheon where film buffs bestow upon special movies the title of “So Bad it’s Good.” In fact, I dare say, it might be the perfect “Bad Movie” and one that had me entertained and laughing for its entire 2 hour 38 minute run time. Good Citizens of Filmlandia …I give you…Roland Emmerich’s DUN-DUN-DUH 2012!
"Umm...kids...I don't think we're going to make it to the Gap's End of the World Super Sales Spectacular this weekend."