Different Kinds of Loss in The Vanishing Half by Brit Bennett

Her death hit in waves. Not a flood, but water lapping steadily at her ankles. You could drown in two inches of water. Maybe grief was the same. – pg 336

A father is dragged from his home in front of his twin daughters and lynched. Decades later his wife succumbs to Alzheimer’s. The deaths of these parents bookend the margins of their daughters’ lives, and in between the two women make and remake themselves, grieve over their own loss of identities, the loss of connection to each other and to their past.

Initially as teenagers, the twins run away together from their small country town to the big city of New Orleans. But from there one sister realizes she can pass for white and insulates herself into a world of privilege that eventually takes her to Los Angeles, while the other goes her own way struggling in her sister’s absence and eventually finding her way back home after a sojourn in Washington DC.

In addition to making and remaking their own stories, they make stories for their daughters, too. And those daughters make and remake themselves and gravitate towards others doing the same, all sad souls adrift in a wide lake of a world losing and finding themselves over and over.

“I think everybody who ever hurt me loved me,” her mother said. -pg 337

Brit Bennett’s The Vanishing Half is a brilliant drama about trauma and love and loss. Its themes, motifs, and characters speak to things pointedly black and pointedly female, but undeniably American. Its episodic, transgenerational format would lend itself well to being adapted as a “limited series” on a prestige streaming service.

Many of the events and plot points would seem too “on the nose” if they weren’t so real. A lot happens to these women, but isn’t that life? Both too long and too short…always one comeback, reinvention away from that perfect moment where suddenly it all makes sense. Waiting for that last poof…when we vanish for good.

Review by D. H. Schleicher

From Now Until the End of 2020 Purchase And Then We Vanish and Then Came Darkness at Deep Discounts!

Well, dear readers, 2020 has been a helluva year…so why not celebrate by gifting yourself or a loved one with great literature at a deep discount this holiday season?

Check out the special sale prices on my books from now until the end of the year and get lost in some great stories!

#AndThenWeVanish – my acclaimed short story collection of literary fiction with a twist

I love a shocking ending that gives you a jolt where you exclaim, “I didn’t see that coming!” It’s rare to find such depth of connection to the characters in short stories. – Gina Rae Mitchell, book blogger

Then Came Darkness Front Cover

#ThenCameDarkness – my beloved historical thriller about a struggling family up against a madman and The Great Depression in Upstate New York

Tense, atmospheric and melancholic prose of real beauty. – David Arrowsmith, author of Nevada Noir

Then Came Darkness is a brilliant historical thriller that compares to stories like East of Eden and The Night of the Hunter in its epic journey and menacing villain. – Laura Smith, author and blogger

Summer Indie Book Reading

While I’m currently reading Ivy Ngeow’s Overboard, which might turn out to be the best Indie book I’ve read yet and will most certainly warrant its own in-depth post, here’s a rundown of some recent Indie books I finished and the reviews I posted on Goodreads:

 

The Hanging Artist by Jon Steinhagen (novel)

The Hanging Artist is a very specific kind of entertainment. If the premise (Kafka awakes in a sanitarium to meet a giant talking bug and then is sucked into a bizarre murder mystery) sounds too strange, then it probably will be for you. But if it sounds great (like it did to me) then by all means buy, buy, buy.

Kafka makes for a great amateur detective, and apart from the inherent absurdism of the premise, Steinhagen’s greatest treat for this reader was the screwball detective dialogue between Kafka and the giant bug, and Kafka and the Biede character (an investigator from the mysterious society that wants to employ Kafka’s skills). Then there are all the suspects and various theater folk, each uniquely drawn and memorable, and the playful “nocturnes” following a Hanging Artist performance where acquaintances of theater patrons are dropping dead. The mystery actually had me guessing, and the solution to the crime is appropriately bizarre.

Witty, dark, and sometimes silly, The Hanging Artist makes for smart, surreal escapism.

 

Susan M. Lane has given us quite an interesting and psychologically rich collection of short stories with Secrets. Admittedly, I was turned off by the opening story about a serial killer that was so well done as to almost give me a panic attack. I wasn’t sure I could handle the collection if all of the stories were that intense. But I persevered, and I’m glad I did.

There are a number of stories about people queued up in lines: at the grocery store, a fast food drive-thru, a bank…and Lane is quite adept at capturing the banal tension of these everyday occurrences, how the act of waiting and observing other people can be stressful, and sometimes the smallest misunderstanding or slight could be triggering. In these stories Lane head-hops from person to person, diving deep into their fears and worries and pasts, revealing the secrets behind the everyday people we encounter…secrets we’ll never know just by observing them.

Misunderstandings (and prejudices) that lead to violence (the closing story is all too relevant today) is another key theme running through many of the stories.

Not all of the stories hit home for me, and some of the more noir ones, though fun, seemed like throwaways. But Lane’s craft is…crafty. And I would highly recommend her collection for those who enjoying reading stories that highlight the darker side of humanity and revel in twists of fate.

 

The Pup and the Pianist by Sara Flower Kjeldsen (novella)

Fascinating, quick-paced adventure novella about a young lad named Max and another unlikely survivor stranded on the Galapagos after a disastrous naval skirmish during the Napoleonic wars.

Vivid descriptions and judicious use of metaphors overcome some odd wording and grammatical puzzlers. The author was clearly trying to capture the spirit of the era both in the writing style and tone.

The character development is excellent and heads in directions I did not anticipate.

Reviews by D. H. Schleicher

The Timely and Timeless Dramas On Sal Mal Lane

On a relatively quiet street in suburban Sri Lanka children play, parents brood, and old folks reminisce while the storms of an inevitable civil war seem to gather on a different planet. But those dark clouds will eventually cover everything, and the children’s haven will be forever shattered, and soon peace only reachable in their imaginations.

The context of Ru Freeman’s heartbreakingly beautiful, intimate, and real 2013 novel On Sal Mal Lane is the Sri Lankan civil war that exploded in the early 1980’s. The threat was visible and violent, human madness gone viral. The threat we are facing today in 2020 is invisible and viral, but the emotions, the fear, the sense of impending doom, the desire to see a light at the end of the tunnel, a generation of innocence loss…this could speak to our moment now in the midst of global pandemic or to the people who lived through WWII just as much as Freeman’s novel speaks for those in Sri Lanka almost 40 years ago.

I started reading On Sal Mal Lane right before the world went on lockdown. My wife mentioned it to me many times before over the years, stating she thought I would really enjoy it as Sri Lanka always fascinated me. For whatever reason I kept shrugging it off, until just a few months ago. Like many of my favorite novels, this was the right book at the right time. The character arcs mirrored the arcs of our own lives, the civil war in the novel encroaching on the children’s domestic bliss just as the pandemic began invading ours.

Freeman’s “first-hand” but omniscient narrative insights into the worlds of children, as well as intimate knowledge of social mores and religious, racial, and political differences, make the reader feel as if they are a resident of Sal Mal Lane. Ceremonies, cricket matches, local fauna, the touch of certain fabrics, the taste of certain sweets, the smell of burning things…the details of the children’s lives are wholly immersive. As equally vivid as the details of the outside world are the details of the inner thoughts and emotions of the children. How she depicts certain arcs such as an evolving love and talent for music, or a brief affair with wanting to be a cricket start give shades and color to the children in ways rarely captured in art.

Regardless of the personal context I brought to my reading, it’s fair to say On Sal Mal Lane would’ve moved me to tears on any given day in any given year of my adult life. But the feelings felt now in the moment for the characters Freeman created couldn’t have been deeper. I will never forget the scene when the children’s schools were suddenly closed as riots began in the streets of Colombo and everyone was left to wander home through the chaos, or the excruciating choice one troubled teenage boy makes while caught up in the melee of the marauding mob that seals the fates of all down the lane.

On Sal Mal Lane is a timely and timeless masterpiece. It’s the type of art that provides solace and reminds us that we were, we are, never alone. We can connect with other people and characters from different times and in different places, in good times and bad, and in all the shades and colors of life. I’m so glad I met the residents of Sal Mal Lane when I did.

Written by D. H. Schleicher

For another view into the beauty of Sri Lanka through the horrors of its civil war, I highly recommend another masterpiece, Michael Ondaatje’s Anil’s Ghost.

For an equally immersive and poignant look at ordinary people caught up in the storms of war and trying to survive, I highly recommend another masterpiece, Irene Nemirovsky’s Suite Francaise, famously written “in the moment” of the German invasion of France during WWII.

#HistoricalFiction from Page to Screen

I’ve been on a big historical fiction kick lately. All three of the novels I’ve read recently in this genre jumped off the page and played like movie reels in my mind. There’s something about the genre (when done well) that naturally lends itself to adaptation for both big and small screens. In this golden era of “limited series” on TV and in streaming services, I couldn’t help but imagine how these novels would play.

Darktown by Thomas Mullen – This crime drama about the first African-American cops in Atlanta in the 1940s and the corruption and racism they had to battle would seem a perfect fit for TNT or FX. I could see it playing out similarly to the recent limited series from Patty Jenkins, I Am the Night. Heck, that series’ own Carl Franklin would be a fantastic choice to direct.

When It’s Over by Barbara Ridley – This tale of refugees from the Czech Republic and Germany fleeing to England during WWII would make a splendid PBS Masterpiece Theater series.

The War in Our Hearts by Eva Seyler – When I first read started reading this melodrama about Scots on the Western Front of France during WWI, it initially made me think about those searingly romantic mini-series of classic 1980’s TV (think The Thornbirds or North and South). But the novel ended on such an achingly poetic note that I couldn’t help but picture it as a cinematic moodpiece by Terence Davies.

What have you read lately that begs for a big or small screen adaptation?

Written by D. H. Schleicher

Find Your Thrills During Indie April

#IndieApril will be coming to a close soon, so I wanted to share with readers some of the great indie writers I discovered this year who write the type of stuff I like to read and write.

First up is Pray for the Girl by Joseph Souza, which I received an advanced review copy of in March, quickly devoured all of its twists, and wrote a full review of it at The Spin a few weeks ago.

“Souza’s novel follows many of the standard modern murder mystery tropes, but’s it’s all told from the point of view of a protagonist unlike any other…In Lucy Abbott, Souza has created an unforgettable character who is tortured, complex, and tough as nails.”

Get your copy of Pray for the Girl – on sale as of April 30th.

Next up is a stand alone short story from Jenna Moquin, Stone Storm, about a man who finds a dead body in a blizzard and then fears the killer may have snuck into his farmhouse for shelter.

“Edgar Allan Poe tales are often over-used for inspiration for far too many uninspired tales. Luckily, with Jenna Moquin’s Stone Storm we have one of the more effective uses of a classic Poe theme. I won’t mention which of his fabled short stories serves as inspiration here, as it would give too much away, but this is one of the better updates I’ve read.”

Download Stone Storm to your Kindle app for one cent less than a buck.

Lastly we have John Greco’s short story collection, Bitter Ends.

“John Greco’s short story collection, Bitter Ends, is jam-packed with quick, nasty little numbers full of cheating and murdering spouses and twisty turns of fate. If there’s a lesson to be found…it’s probably this: never agree to a prenup. While some of the stories seem more like sketches and aren’t as fleshed out as others, there are a few real stand-outs of the noir genre: Good for Nothing, We All Got What We Wanted (probably my favorite…with its Upstate New York setting), and A Marriage to Die For.

Bitter Ends is available in paperback and Kindle ebook editions.

Follow me on Goodreads where you can read full reviews of Stone Storm and Bitter Ends.

The Gruesome Thrills of Dracul

Bram Stoker’s Dracula was the first “adult” book I remember reading as a child, and being all about horror as a lad and having already been exposed to the Bela Lugosi and Hammer film classics, I was positively obsessed with the book…so much so that years later as a senior in high school I took a mythology and folklore class where Stoker’s tale was the primary topic for a full semester and we dissected the book journal entry by journal entry, line for line.

I always imagined a bold modern update…in the 80’s and 90’s the story would’ve been told through television news clips, emergency room visit logs, and frantic 911 calls.  Today, it would be told through tweets and vlogs.

Dacre Stoker and J. D. Barker however, imagined something quite different, driving a stake through the heart of the 1897 classic further back into its origins and Bram Stoker’s childhood and young adulthood where the mysterious fate of his beloved nanny, Ellen Crone, becomes intertwined with that of his siblings and an evil force even more fantastic than what ended up on Bram Stoker’s pages.  The result is a fun, gruesome thrill-ride complete with the tearing apart and re-assembling of a man, among other supernatural horrors. Continue reading

The Official Website for My New Novel, Then Came Darkness, Launches Today!

Today marks the official launch of ThenCameDarkness.Com!

My thrilling new Depression-era noir was published this month and is available in trade paperback ($11.99 USD) and Kindle eBook ($4.99 USD) editions.

At ThenCameDarkness.Com readers can catch up on all the latest buzz, read excerpts, learn more about the characters, and dive into the inspiration behind the novel.

Then Came Darkness Front Cover

Then Came Darkness Back Cover

Architecture, Autism, and Anthropomorphic Horses

Why didn’t anyone tell me how hard it would be to keep up on with new movies, TV shows, and reading while living with a newborn?  (Actually, EVERYONE told me).

Somehow…I did manage to finally finish a novel…T. C. Boyle’s The Women, a piece of historical fiction recommended by my wife that vividly details the life of famed architect Frank Lloyd Wright through the four (often tempestuous) women he loved.  Hopscotching points of view (which include all four women, but also Wright, and a Japanese apprentice) and flip-flopping timelines, large swaths of the early sections are a bit sluggish to get through (though I’m not sure if some of the difficulty I had turning the pages was due to my own exhaustion and short attention span).  But, man o’ man, when the novel finally settles on its final 100 or so pages, which culminate in the infamous murder spree at Wright’s palatial Wisconsin hideaway Taliesin that resulted in the deaths of his mistress, her children, and other workers at the hands of an hatchet-wielding, fire-starting butler from Barbados, it was impossible to put down as the setting, characters, feelings, and horrific actions were made indelible on the mind as if the reader was right there watching it all.

(Side note – the earlier passages at his Oak Park estate outside Chicago were especially vivid in a different way as we had visited Oak Park last summer and I could picture his disgruntled ex-wife Kitty and their children in the rooms described by Boyle).

Meanwhile, in this day and age of Netflix, it’s easier to stay on top of some newer programs as binge watching lends itself well to being stuck inside a house for weeks on end. Continue reading

The Human Touch in Warlight

What lengths would one go for love…or in war?  Cataclysmic outside events thrust unlikely people together…torn from their privacy to create new intamicies…in secret…but in service for something larger…a delicate, romantic spy game that could determine the fates of strangers in strange lands just as much as it could the fate of the ones you most love.

In his masterpiece The English Patient, Canada’s titan of literary fiction, Michael Ondaatje described a novel as a “mirror walking down the road.”  In his latest novel, Warlight, which mirrors many of the themes of his best, he describes a memoir as “the lost inheritance”.  Warlight is a novel written as if it was a memoir, and the light it casts on the shadowy lives of those left picking up the pieces in the aftermath of World War II will leave one shaken as equally by Ondaatje’s craft as by the fates of the characters.  It would make a cracker jack film or miniseries, you know, if someone skillful enough could dissect it, reassemble it, and focus the whole thing on the shocking soap opera-like revelation at the end…the twist of fate…the sad realization of what the consequences of one’s actions and youthful indiscretions could be. Continue reading