Seriously. Is the Death of Stalin funny? Not the actual event of Joseph Stalin’s historical death (no death, not even that of a mass-murdering dictator is funny…right?) but the movie, The Death of Stalin…is it funny? I’m asking for a friend.
Can a film that ends with a central character being shot dead, and his body then burned, being placed literally into the ash heap of history, be funny?
Ladies and gentlemen…Mr. Steve Buscemi…as Nickita Khrushchev! He’s brilliant, as per usual. Buscemi deftly goes from neurotic joke-man to cold-blooded power-grabber (oh, that’s so Buscemi). But is the performance…funny? I mean, yes…it is (as is Jeffrey Tambor as an air-headed and feckless Georgy Malekov)…but funny how? Funny how it looks? How it sounds…Steve Buscemi…as Khrushchev?Funny ha-ha?
Armando Iannucci (of In the Loop and Veep fame) has become the modern master of the politic satire (usually aimed at current events), but here is a historical period-piece. What’s his end-game? A correlation to Putin’s Russia? Trump’s America? Any cult of personality that innately leads to gas-lighting the public and internal chaos? Is this a cautionary tale? Continue reading →
If this isn’t the funniest movie of the summer I will punch you in the face!
Like clockwork every two years near the end of summer a Will Ferrell vehicle arrives on the scene to make a case for the title of funniest movie of the year. In 2004 it was Anchorman, in 2006 it was Talladega Nights, in 2008 it was Step Brothers and in 2010 it was The Other Guys. Pretty much everything the SNL funny man has done in between these films (spare for the underrated dramedy Stranger than Fiction) has been crap. Now, in 2012, here comes The Campaign.
Similarly like clockwork every year as we near November (and even more so in presidential election years) we are overwhelmed by negative campaign ads, increasingly absurd political wrangling and non-stop nattering idiots in the media. It is this milieu that The Campaign wisely and broadly assails.
In North Carolina’s Mayberry-esque 14th district, Cam Brady (Will Ferrell, doing a great riff on his previous Dubya impersonation crossed with the perfectly coifed sleaziness of John Edwards) has run uncontested for years on three simple words – America, Jesus and Freedom. But that’s all about to change when the billionaire corporatist Motch Brothers (Dan Aykroyd and John Lithgow) see an opportunity to put up a puppet candidate who will help them bring Chinese slave labor to American shores. In walks the incompetent Marty Huggins (Zack Galifianakis, perfectly embodying the oddly effeminate weirdo Southern mamma’s boy archetype) to run against Brady. Continue reading →
Satire is so hard to pull off. It’s so far from being “easy peasy lemon squeezy” I would go as far to say that it’s “difficult difficult lemon difficult.” It’s a British term, you’ll catch on soon.
For the past ten years satire has been regulated to animation (the South Park movie), puppetry (Team America), and well, something called Sacha Baron Cohen, and let’s be honest, is that even real satire, or just mockery? We really haven’t seen anything live-action of this sort since Wag the Dog, which is why it’s so refreshing to be back In the Loop. And guess what? Politics are funny again!
In the Loop is the minor masterstroke of Armando Iannucci, and his central conceit is to imagine a Dr. Strangelove “rush to war” scenario done up in a modern context and filmed like an episode of “The Office” — the British version. Jesse Armstrong and Simon Blackwell provide the fire power through their whiplash inducing witty dialogue that in turn is spewed forth by a live-wire cast of American and British veterans all playing their A-game. Continue reading →