Twin Peaks – The Return: Two Hour Finale (Hours Seventeen and Eighteen)

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

TWO HOUR FINALE (HOURS SEVENTEEN & EIGHTEEN)

“Is it the story of the little girl who lived down the lane?”

Like the entire Return in a microcosm (or condensed into a little golden orb, if you will), the final two hours of Lynch’s maddening opus contained a few moments of satisfying fanatic brilliance buried in deliberately obtuse dream logic. Continue reading

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Twin Peaks – The Return: Hour Fourteen

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR FOURTEEN

“It’s all coming together now…” was what I couldn’t help but think during this shocking hour that made walking in the woods in the broad daylight scary as hell, and one bold woman who’s had enough takes a violent stand against the scum of the earth. The three major plotlines (Buckhorn, Vegas, and Twin Peaks) finally started to converge in cogent ways in the revelatory fourteenth hour. Continue reading

Twin Peaks – The Return: Hour Twelve

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.

HOUR TWELVE

“This week on Invitation to Love – The Return…”

Some of the most delightful meta-moments in the first incarnation of Twin Peaks were the tremendously ridiculous snippets from the soap opera show-within-a-show, Invitation to Love. Each week a Twin Peaks character would take a pause during their own overly complicated day to try to catch up with the soapy theatrics, and we the viewers were treated to over-the-top dialogue about who was sleeping with who and who was plotting to kill who, a whirlwind of melodramatic trash where over-acting actors rambled on about people we had never seen or cared about – all, kinda ironic, in the context of the actual soap opera, Twin Peaks, we had become addicted to.

Not surprisingly, one of the major complaints about Twin Peaks – The Return has been the absence of those juicy (and often hilarious) soap opera plot-lines…but here in Hour Twelve, Frost and Lynch redefine meta by delivering the long-awaited return of Audrey Horne… Continue reading

Twin Peaks – The Return: Hours Three and Four

Twin Peaks – The Return: Complete Hour by Hour Guide

NOTE TO READERSThese weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories.  Do not read if you have not watched this week’s hour(s) yet.

HOUR THREE:

“Do chocolate bunnies have anything to do with your heritage?”

Andy (Harry Goaz) asks Hawk (Michael Horse) this amongst the spread of old Laura Palmer files, donuts and coffee as he and Lucy try to help the Deputy Chief figure out what the Log Lady meant and what exactly is…missing? “It’s not about the bunny,” Hawk stoically muses, “Or is it is about the bunny?”

Earlier the third hour opened with more Red Room / Black Lodge / Limbo / WhateverAndWhereverTheHellItIs, which every nook and cranny could be described and it would still be as incomprehensible as the craziest dream with Lynch having evolved (or is it devolved?) these manipulated digital photography sequences into moving modern art installations…or, as my wife pointedly pondered, is that vast ocean Cooper looks out over in the opening moments where Lynch goes when he does Transcendental Meditation? Cooper does find his way out…and voila! he’s taken the place of some awwshucks schmuck named Dougie Jones in Las Vegas. Simultaneously the Evil Cooper vomits creamed corn and black poison while overturning his Lincoln outside of Buckhorn, South Dakota. The dazed Cooper in Las Vegas is then dropped off at a casino by his hooker-with-a-heart-of-oh-brother where he proceeds to light-up slot jackpots guided by images of that zig-zag floor topped with a flame over the machines.

Meanwhile, in Philadelphia (YES!), Special Agent Tamara “Tammy” Preston (a chic and slinky Chrysta Bell) is giving Gordon Cole (old Lynch himself) and Albert Rosenfield (Miguel Ferrer) the rundown on that nasty piece of business in New York City (where those two poor kids were indeed mauled to death by whatever came out of that glass box) only to be whisked away by a phone call from someone claiming to have in custody none other than the long lost…Agent Cooper!

Cue the closing Bang!Bang! Roadhouse song and credits.

HOUR FOUR:

“Holy Jumping George!”

And Gordon Cole is right. Hour Four is where this new Twin Peaks finds its groove. What was disjointed and weird in the first three hours congeals into a jazzy-funny-scary tour de force, most of the action this hour bouncing back and forth and forth from our continued re-entry into our hometown through Hawk, Lucy and Andy; Gordon, Albert, and Tammy’s trip to Blue Rose territory and the increasingly bizarre Buckhorn, South Dakota case (where the bad Coop is itching to be debriefed by Cole); and good Coop’s entry into Dougie Jones’ family life. Continue reading