The 4th Annual Davies Awards in Film

A Look Back at 2009:

Once upon a time…

…in 2008, while the world economy went into a tailspin, Hollywood delved into super-depressing, self-important mode and the Davies Awards asked sourly, “Why So Serious?”

But then the Brothers Coen and Quentin Tarantino looked around with their impish grins and wondered, “Why can’t we be a little serious but have fun, too?”  Meanwhile, The King of the World, James Cameron awoke from a decade long hibernation to deliver us into a fantastic world we had never seen and finally made a film where 3D technology rose above gimmick status.  All the while, his ex-wife, Kathryn Bigelow masterminded the ultimate coup-d’etat.  Will a woman director finally take home Oscar…for a war film?

But these golden days seemed so far far away back in January…

2009 began ominously. The multiplexes seemed a dark abyss. Continue reading

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Silent Light

And so it begins...

And so it begins...

Strangely enough, following one post on how light — particularly the beautiful light in September — can affect photography and another on The Greatest Living Film Composers, I finally watched Silent Light — a film drenched in breathtaking images and natural lighting that has no music score.  It’s one of those art films that was much discussed last year amongst cineastes but little seen by anyone outside of the international film festival circuit.  As fall is often the season of slowing down and taking stock of your life, it could only be considered perfect timing that Netflix delivered it to my door just as we approached the autumnal equinox.

A Resurrection of Cinema

Carlos Reygadas’ Silent Light (Stellet Licht) is a direct descendent of silent film.  Continue reading