The Shallows could be easily dismissed as a guilty pleasure if it weren’t so competently constructed and self-serious.
Nancy (a believable and shockingly likable Blake Lively) is a med-student at a cross-roads in life wondering if she will or won’t become a doctor? She’s also still emotionally scarred by her mother’s cancer-related death. Therefore, she does some soul-searching in Mexico where she successfully finds a secret cove and beautiful beach where her mother spent some time shortly after learning she was pregnant with Nancy. There she takes to the surf and stays out in the shallow waters just a little bit too long…accidentally stumbling upon one insatiable shark’s feeding spot.
It’s not often you get such depth in a character leading a monster movie. So when things get silly and over-the-top (especially in the deliciously inane third act), the viewer is invested enough in Nancy to not give a damn about how patently ridiculous her tete-a-tete with one nasty shark gets. I imagine some animal rights activists will not be happy with the unfair portrayal of sharks…though seaguls (in the form of Nancy’s injured companion “Steve”) certainly get a nice image make-over here. Continue reading →
Superfluous slasher sequels and Labor Day mean one thing for filmgoers: the long summer movie season is finally coming to a close. Though I did my fair share of grumbling and there were alarmingly more “Colon: Movies” than ever before, the summer of 2009 ended up being a fairly solid season. The year as a whole has been eerily reminiscent of 1999 in that there have been a slew of top-of-the-line “niche” films and both art-house and multiplex offerings have been more thoughtful than usual by delivering subtext and social commentary with their cliches, laughter, violence and gore. Whether any of these films will matter ten years from now is hard to tell. Looking back on the summer trends, I think I’ll always remember this 2009 season as the summer Hollywood went to war. Continue reading →