*Potential Spoilers Ahead*

When Robert Pattinson’s character finally “spills the beans” to Willem Dafoe’s character in Robert Egger’s grim, grimy and sea-battered The Lighthouse, he claims to be a former timber worker who killed his boss, wrestling now with his guilt at the remote coastal outpost of the film’s title. I thought, however, that he was more likely the soul of one of those dead sailors Dafoe claimed are living inside seagulls. A particular seagull, with one eye, is one of the key antagonists (along with Dafoe), but all three characters (young man, old man, and gull) might very well be one in the same in this Persona-like decent into male madness.

There are elements of The Lighthouse I admired: Dafoe’s over-the-top salty seadog ranting, the claustrophobic aspect ratio, the Nova Scotia setting, the bleak black-and-white cinematography, the seagull, and the surreal visions (a harpy of a mermaid, a slithering Neptune).

There are elements of The Lighthouse I could’ve done without: the focus on bodily functions, the insular white male insanity, the fate of the seagull, the seagull’s ultimate revenge.

There’s nothing that was particularly scary, but certain scenes and images were fittingly disturbing. Some parts were played so absurdly straight (a seemingly endless fall down twisting stairs) as to elicit laughter.

I could’ve used more story…more characters…more of the sea.

Much like Eggers’ first film, the equally grim The Witch, I can’t say I liked the film, nor would I recommend it to anyone. But I know there are many out there who would watch this and relish every stinking bit of it. So if you’re one them, enjoy.

Written by D. H. Schleicher