In Marrakech, a British couple on the skids looking to reignite their stagnant marriage (an always slightly slimy but marginally honorable Ewan McGregor, the professor, and a delightful Naomie Harris, the barrister) accidentally befriend a bawdy yet charming Russian mobster (a smashingly good Stellan Skarsgard) and his brood of children in peril. Wouldn’t you know it that Russian guy is looking to have help delivering a secret bank file to MI6 and get safe passage for his family on the eve of a shady financial deal his boss would kill people to cover up. Once back in London, one British spy (Damien Lewis, nicely against type as the buttoned-up good guy) makes it his mission to use this information to bring down a certain MP (Jeremy Northam) involved in the corruption.
Susanna White’s jazzed up version of a John le Carre film adaptation is far better and more enjoyable than the ho-hum reviews and the movie’s own slickly off-putting first twenty minutes would have you believe. Continue reading →
Director J. A. Bayona brings the tsunami to horrifying life on the big screen in THE IMPOSSIBLE.
In December of 2004, Maria Belon and her family were among the many who experienced first-hand one of the worst natural disasters in the history of the world when a tsunami overwhelmed large swaths of Southeast Asia including the coastal resort area of Thailand where Belon and her family were spending the holidays. Director Juan Antonio Bayona (who previously put viewers through tear-soaked thrills in the Catholic ghost story, The Orphanage) has adapted Belon’s harrowing tale for the silver screen. Here Maria Belon becomes Maria Bennet (the incomparable Naomi Watts) and her husband is played by Ewan McGregor and three boys by newcomers Tom Holland, Samuel Joslin and Oaklee Pendergast. They’re a picture perfect beautiful British family living abroad, and Bayona, in ways both Spielbergian and Hitchcockian, puts them through the wringer in this tsunami horror-show tear-jerk thriller that pulls all the right strings.
The Impossible is worth the price of a ticket just for the ten minute tsunami sequence, frighteningly realized without CGI and done all with scale models and a giant water tank. Bayona in the sequences building up to the disaster uses sound effects for foreshadowing, and by replaying the tsunami through the eyes of Maria and her eldest son Lucas (Tom Holland in a riveting star-making performance), he totally immerses the viewer in the chaos of the event tossing the two actors around like rag dolls in the deluge of water and menacing debris that tears and rips at human flesh relentlessly. Continue reading →
A nameless writer (Ewan McGregor) is hired to finish the autobiography of the shamed former British Prime Minister (Pierce Brosnan) after the first man on the job dies under mysterious circumstances in Roman Polanski’s adaptation of Robert Harris’ oh-so-timely political thriller. Polanski uses the contemporary thriller to play on his classic theme of a man pretending to be an artist (or is it an artist pretending to be a man?) getting in way too deep and swept up into events much larger than himself.
What a treat it has been for cineastes this bitter February (normally the harshest of months for fans of the art form) as we’ve had new entries from filmdom’s greatest living masters, both putting their own stamp on the Hitchcockian thriller: Martin Scorsese’s bombastic and psychologically disturbing Shutter Island and Roman Polanski’s subtly handled political potboiler, The Ghost Writer. Continue reading →