Aaron Schneider’s feature film debut, Get Low, opens compellingly enough with an image of a house ablaze in the night accompanied by some brooding music that makes you feel like you’re in for something really good because somebody did something really bad. It’s seems the tone has been set.
Robert Duvall, grizzled as all heck, commands the next few scenes as we get glimpses of his hermit life. But then Bill Murray, deadpan to the point of inertia, shows up as a funeral director lamenting that nobody seems to be dying in this Depression-Era Tennessee town, and everything goes out of tune. Continue reading →
Making the rounds at the local art-house has been the trailer for the Robert Duvall/Bill Murray starring, character-study, period-piece Get Low — as in, “it’s time for me to –“.
Along with the indie darling Winter’s Bone and Christopher “Fritz” Nolan’s mega-budgeted, high-concept thriller Inception, Get Low ranks as one of the summer’s most anticipated films in my neck of the woods. Come to find, the writer director Aaron Schneider won an Oscar a few years back for a short film, which just happened to be a an adaptation of what surely is one of my all time favorite short stories…William Faulkner’s “Two Soldiers” – the classic tale of a young boy desperately wanting to join his older brother as he heads off to war.
Low and behold I shot that thing right up to the top of my Netflix queue, and before I knew it was rereading the tale and watching the film. Continue reading →