NOTE TO READERS – These weekly posts are meant to recap what happened (SPOILERS AHEAD) and provide conversation starters for fans to comment and share theories. Do not read if you have not watched this week’s hour(s) yet.
“The cherry pie is life.”
Remember that movie Seven and the creepy mysterious box given to Brad Pitt, and how it turned out that Gwyneth Paltrow’s head was in the box? Remember what a shock and how gut-punching hearbreaking it was? Wow, how time’s have changed…and most people would now howl with laughter and delight at the idea Goop-y Gwynie’s head in a box. Well, there’s a mysterious box in this episode of Twin Peaks, too, and for a moment we wonder along with James Belushi (driven by a dream of what was in that box) and his brother, just what is in that box…carried by Dougie Jones…who they originally planned to kill.
Turns out…just as Belushi’s dream prophesized…it’s a cherry pie! Thanks to the one-armed man, Dougie bought the cherry pie and brought it with him (along with the $30 million claim check for the brothers)…and the cherry pie saves his life. Which leads to a delightful scene of the brothers and Dougie and Candy, Randie, and Mandie at a Vegas lounge enjoying that “Damn Good” pie and the dulcet tones of Angelo Badalamenti on the piano. Continue reading →
Let’s get one thing straight – Scarlett Johansson is so smoldering in The Avengers, I was aghast. I mean can this woman get any sexier? And director Joss Whedon wisely places her in tight-fitting outfits and under perfect lighting and has her kick wall to wall ass as super assassin Black Widow. As ho-hum as some of the rest of this film was, for me, bottom line – Johansson and how Whedon utilized her assets were worth the price of admission. But enough of that…
Break out the extra-large, layered butter, heavily salted popcorn and enjoy this thing for whatever deviant or nostalgic or escapist reasons you so choose. Here’s the patented Schleicher Spin rundown: Continue reading →
In Steven Soderbergh’s timely new viral thriller, Jude Law (always unlikable) is a blogger who gives the government a huge headache while they attempt to control an epidemic of bat-pig flu (holy crap!) It’s never made clear whether this character really was trying to disseminate the truth (or at least a valid alternative take on the facts) or was just preaching fear so he could cash in and blackmail the CDC, but ultimately Soderbergh is pretty dismissive of the blogosphere.
There are some other more applicable and timeless messages to take away from the film: women who sleep around spread viruses, women married to powerful men are incapable of keeping secrets, and no one really cares when a step-kid dies. Seriously though – there’s also some “bigger picture” commentary about big corporations causing big problems and overly complex bureaucracies crippling the pace of solving the problems. Sometimes this results in minor inconveniences…and sometimes it results in 27 million people dying. C’est la vie.
The crown prince of America’s premier weapons manufacturer Tony Stark (a sober Robert Downey Jr.) grows a conscience after being captured by terrorists in Afghanistan and decides to fight for what’s right in an innovative piece of body armor technology that will henceforth be known as Iron Man in Jon Favreau’s predictable but fun Marvel comic film adaptation.
Wisely abandoning the corny mawkishness of the Spiderman films and the recent attempt to revive the Superman franchise, Iron Man instead offers up some light satire, bright-eyed cynicism, and an attempt at witty banter. The always lovely Gwyneth Paltrow is a delight as Stark’s sassy assistant Pepper Potts, and it’s nice to see her doing something light and fun for a change. Also part of the off-kilter cast are Terrence Howard as Stark’s inexplicable military friend and Jeff Bridges bald and bearded as Stark’s mentor (and dun dun dun…enemy?) Downey Jr. apparently ad-libbed much of the dialog, which sometimes falls flat, but for the most part works. It’s certainly far more enjoyable than the typical fan-boy in-jokes that plague most comic book movies.
Certainly this is no Batman Begins in terms of depth and scope of drama, but with slam-bang special effects and an effortless feel (despite a slow build up to the action), Iron Man certainly fits the bill as a better than average comic book/action film. Is it any wonder critics and audiences have embraced it so warmly after suffering through loud obnoxious dreck like Transformers? While it has been a bit oversold, Iron Man proves that great special effects can be built around a smart story that doesn’t have to pander to the lowest common denominator. Until The Dark Knight it will have to cure our cinematic anemia.
Originally Published on the Internet Movie Database: