NOTE TO READERS on 7-16-10: Click here for the full Inception report and review.
In preparation for the release of Christopher Nolan’s highly anticipated and much ballyhooed Inception this Friday (stay tuned for a full report following the Thursday night 11:59pm advance showing I plan to attend), I decided to hold a mini-marathon here at the ‘Spin and take a look back on three of Nolan’s non-Gotham related works: Memento, Insomnia and The Prestige.
I make no apologies, and it should come as no surprise to anyone who knows me, that Nolan is one of my favorite working directors. It’s been uncanny how well he has been able to work within the mainstream studio system and deliver the type of dark, twisted, psychologically complex, crowd-pleasing and zeitgeist-tapping films people crave in the new millennium. It’s always interesting to do retrospectives of auteurs as you can witness over the course of a few nights the birth of their art, the refinement of their techniques and the emergence of their recurring themes.
First, we shall look at his breakthrough film, Memento (2000). Continue reading