Alien vs Aliens vs My Childhood

Inspired by the fan-boy raving over at Condemned Movies and in anticipation of the June release of Ridley Scott’s prequel/not-a-prequel hybrid Prometheus, I decided to take a stroll down memory lane and revisit Scott’s iconic Alien and Cameron’s raucous Aliens.

What kind of damned robot are you?

I have such fond childhood memories of Scott’s Alien.  Even though I first watched it at a very young age (I think it must have been around the time of Aliens‘ release so I would’ve been about seven), it’s not memories of the film scaring me that I remember most, but memories instead of my parents telling stories of how it scared them when it came to theaters in 1979, also the year of my arrival into the world.  There was pent-up giddy kid-wild anticipation in the Schleicher household as our parents regaled tales of the shock and horror and the downright badass spookiness of Alien – a film that took old-school monster-movie horror and melded it with a new wave of gritty futurism.  It was both a throw-back film and pop-avant-garde.  And I remember feeling truly special when my parents finally let us watch it.  The initial shock of the chest-bursting scene lasts with me to this day as well as fractured fairy-tale memories of a an android that bled milk, an acid-filled face-hugging bug, a pretty girl in her underwear, and a kitty that must be rescued! Continue reading

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The Great Escape Part Two

In 1933 at the height of the Great Depression, madman film producer/explorer Meriam C. Cooper pulled out all the stops to take viewers to an uncharted isle where the most monstrous of beasts was revealed to be the most tragically human creature of them all.  King Kong was the greatest escape of its day.  In 2009, while the world still tries to recover from the greatest economic downslide since the Great Depression, madman technological wizard/director James Cameron pulls out all the stops to take viewers to an alien world where the most monstrous of humans is revealed to be the most tragically alien creature of them all.  Avatar is yet another in a long line of escapist fantasies bankrolled by Hollywood.  Continue reading

When the Good Movies Are

Max decides to take a nap and dream of wild things until his movie comes out in October.

Max decides to take a nap and dream of many wild things until his movie comes out in October.

 

With last week’s unnecessary X-Men sequel? prequel? reboot? oh who cares?—and this week’s Star Trek hullabaloo, someone like me is left to wonder when will it be safe to venture back into the darkness of the movie theaters?  Thankfully the summer movie season has become a refuge for some decent counter-programming ignored by most feasting on Hollywood’s fatty products, but even better, it’s a good time to start checking out the early trailers and buzz for the gilded autumnal slate of films reeking of prestige.

Here’s my list of the most anticipated films for Summer 2009 and beyond ordered chronologically by alleged release date.  No sequels or franchises allowed beyond this point!

Drag Me to Hell:  (5/29/09)  This is that horror flick from guru Sam Raimi for those who enjoyed The Evil Dead trilogy over his Spiderman trilogy.  It looks kinda goofy, kinda ghouly and kinda fun with a smoking hot Alison Lohman playing a mortgage broker who gets damned to hell after turning down a little old lady’s application for an extension–how timely!  My only concerns are why this thing isn’t rated R and where the heck is Bruce Campbell?  Check out the trailer or go to hell. 

 

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Alison Lohman can drag me to hell anytime. But I don't think she'll ever approve me for a mortgage.

 

If this one cops-out on the gore, be sure to check out the Norwegian zombie Nazi romp Dead Snow due to infect art-houses in June.

Away We Go: (6/5/09, limited)  After giving us one of the most depressing films of recent memory with Revolutionary Road, Sam Mendes goes all quirky dramedy on us with this one featuring a surprisingly likable John Krasinski and Maya Rudolph as an expecting couple re-examining their life together.  Let’s hope this doesn’t suffer the same unfair fate of Sunshine Cleaning, which was mostly ignored by mainstream audiences due to a bad marketing campaign that endlessly compared it to other (and lesser) quirky dramedies.  Novelist/memoirist du-jour Dave Eggers co-wrote the screenplay.   Check out the trailer or go away.

Public Enemies:  (7/1/09)  This is an A-lister all the way and promises to be the thinking person’s summer event flick.  Michael Mann, who has proven that both filming in digital doesn’t mean things have to be shaky and grainy and that Depression era films need not be saturated in sepia tones, has crafted what looks to be a crackling period gangster flick inspired by true events featuring a swaggering Johnny Depp, an always brooding Christian Bale and a seductively demure Marion Cotillard.  This thing looks like a real brick that is about to be thrown through everyone’s window.  Check out the trailer or go to jail.  I reckon I won’t be all alone when I take that ride come July.

District 9:  (8/14/09)  It’s so rare these days to see a non-franchised non-comic book based sci-fi flick come out during the summer.  It’s even cooler when that sci-fi film is presented by Peter Jackson, has been kept mostly under wraps, and is just now releasing the early stages of an ultra-clever viral marketing campaign.  The trailer for this one is wickedly deceptive (it looks like some political documentary) and reveals just enough of the “alien…shall we say, invasion?” plotline to tantalize viewers.  This one has some major potential for social commentary, satire and some kick-ass alien action as it blends elements from V,  Alien Nation and Starship Troopers.  Check out the humorous mock-site Maths from Outer Space, or better yet, check out the hella-cool trailer.

Antichrist:  (Unknown)  The only thing more interesting to watch than an established director attempting to go back to his roots (see Sam Raimi above) is watching a controversial auteur go off the deep end with something he’s never attempted before.  Here, Great Dane Lars Von Trier (last seen directing people acting on minimalist chalk-lined stages in Dogville and Manderlay) goes the psychological horror route with this tale of an emotionally crippled couple seeking refuge at their cabin in the woods and perhaps coming in contact with…Satan?  Guaranteed to be his most stylistic film since Zentropa (aka Europa), Antichrist‘s reception at this month’s Cannes Film Festival will go a long way in determining its potential success in the States.  Look for a limited Fall release and prepared to be disturbed.

Shutter Island:  (10/2/09)  Leonardo DiCaprio stars in a Martin Scrosese adaptation of a Dennis Lehane novel.  Need I say more?  Added bonus for me:  my favorite underrated actress Emily Mortimer co-stars.  I was in line for this before I even knew it was being made.

 

Emily Mortimer contemplates a vacation to Shutter Island this fall.

Emily Mortimer contemplates a vacation to Shutter Island this fall.

 

Where the Wild Things Are:  (10/19/09)  Any doubts about this Malkovich-less Spike Jonze adaptation of Maurice Sendak’s classic children’s book should be wiped away by what is hands down one of the most infectiously appealing trailers ever crafted.  The versatile Eggers appears again as co-scripter.  Go ahead, get wild and check it out.

Amelia:  (10/23/09)  Will Indian born Mira Nair finally achieve a massive cross-over hit with this bio-pic of Amelia Earhart, or will this be another well intentioned and glossy miscalculation like Vanity Fair?  If Nair can inject the emotional connection she so effortlessly achieved with Salaam Bombay, Monsoon Wedding and The Namesake into the still unsolved mystery surrounding the famed female pilot, then we should be in for something special, and watch out for Hilary Swank in the lead role to nab her third Oscar nod.

Tree of Life:  (Unknown, potentially 2010)  Having once allowed two decades to pass between films, legendary auteur Terrence Malick has now adopted a more Kubrickian five to ten year span between projects.  Given his notoriously long post-production process, this one might not find its way into theaters until the end of 2010 even though principle photography has been completed for some time.  Though this Brad Pitt/Sean Penn drama has been kept tightly under wraps, the advanced buzz surrounding a potential IMAX companion piece and a special effects team working on the “dino shots” make it clear this will be more than just some dreamily poetic coming-of-age mood piece.  For the first time, we might witness Malick go whole-hog.  As such, film purists should be waiting with baited breath.

Other potential films of interest include Quentin Tarantino’s spelling and good-taste-be-damned WWII flick Inglourious Basterds (to be released in August) and James Cameron’s uber-secretive sci-fi epic Avatar (to be released around Christmas) that will either be the biggest bomb or hit of the holiday season.

What films are you most looking forward to?  Leave your top pics in the comment form!

Written by David H. Schleicher