The Shallows could be easily dismissed as a guilty pleasure if it weren’t so competently constructed and self-serious.
Nancy (a believable and shockingly likable Blake Lively) is a med-student at a cross-roads in life wondering if she will or won’t become a doctor? She’s also still emotionally scarred by her mother’s cancer-related death. Therefore, she does some soul-searching in Mexico where she successfully finds a secret cove and beautiful beach where her mother spent some time shortly after learning she was pregnant with Nancy. There she takes to the surf and stays out in the shallow waters just a little bit too long…accidentally stumbling upon one insatiable shark’s feeding spot.
It’s not often you get such depth in a character leading a monster movie. So when things get silly and over-the-top (especially in the deliciously inane third act), the viewer is invested enough in Nancy to not give a damn about how patently ridiculous her tete-a-tete with one nasty shark gets. I imagine some animal rights activists will not be happy with the unfair portrayal of sharks…though seaguls (in the form of Nancy’s injured companion “Steve”) certainly get a nice image make-over here. Continue reading →
In Roman ruled Judea, Jewish zealots used daggers hidden in cloaks to kill their oppressors and were thus dubbed in Latin…”Sicarious”…or dagger men. Though most of the killing in Denis Villeneuve’s latest master class in vexatious suspense is done with machine guns, there’s a climax building scene where cinematographer god Roger Deakins photographs the character Alejandro (Benicio Del Toro) descending into the purple-hued darkness of a drug tunnel as he unsheathes a dagger that will make your skin scrawl.
Alejandro is man of mysterious motives and origins who with the aid of another “DOD consultant” – an eager and smiley Josh Brolin – is determined to ruffle some feathers of a cartel based in Juarez that’s been wreaking havoc as far north as Phoenix, where kidnap retrieval field agent Kate (a tense Emily Blunt) has been recently recruited for these clandestine missions after uncovering a cartel body-dump on her home turf. Meanwhile on the other side of the border, mild-mannered and weary cop Silvio (Maximiliano Hernandez) tries to balance playing football with his adoring son with the unfortunate mechanics of working for the cartel from hell. Continue reading →
Strangely enough, following one post on how light — particularly the beautiful light in September — can affect photography and another on The Greatest Living Film Composers, I finally watched Silent Light — a film drenched in breathtaking images and natural lighting that has no music score. It’s one of those art films that was much discussed last year amongst cineastes but little seen by anyone outside of the international film festival circuit. As fall is often the season of slowing down and taking stock of your life, it could only be considered perfect timing that Netflix delivered it to my door just as we approached the autumnal equinox.
A Resurrection of Cinema
Carlos Reygadas’ Silent Light (Stellet Licht) is a direct descendent of silent film. Continue reading →