Revisiting 2001: A Space Odyssey – The Best Film of the 1960’s

Just what do you think you’re doing, Dave?

Well, HAL, I’m declaring 2001: A Space Odyssey the best film of the 1960’s.  Hell, HAL, it might even be the best film ever made – a perfect symphonic convergence of cutting edge technology, painterly imagery, big ideas and transcendent music, and it was all cobbled together by human hands.

From the dawn of man to the space age, it’s the tools we use and build that define us, that shape our civilization. 

It’s the tools we use to kill and to create.  And it’s the ultimate tool we build, HAL, that will be the death of us.  Working closely with Arthur C. Clarke (upon whose short story, “The Sentinel”, the film is loosely based) Kubrick crafted a vision of the future where mankind is at crossroads – a point at which we have been able to craft artificial intelligence while at the same time being flung into first contact with an alien intelligence that might have been with us, one way or another, all along.  In some ways – it’s the old “the chicken or the egg – which came first?” question.  For is that black monolith not possibly artificial intelligence created by an alien civilization far more advanced than us?  If they have been meddling with our evolution since the dawn of man, could we not possibly be an experiment in artificial intelligence?  Who the hell knows? Continue reading

Thus Spoke Zarathustra

Recently over at Wonders in the Dark, Sam Juliano posted an engaging piece where film buffs were invited to name their favorite movie scores of all time.

Even I had been so bold as to name the greatest film composers not so long ago here at The Schleicher Spin.

And while it’s true, many of the greatest films are also imbued with beautiful original musical scores where the moving images flow in perfect harmony with the composers’ notes…it made me wonder…

What of the artists who take a well-known existing piece of music and create moving images that become married to the music’s rhythm?

It’s been so parodied over the years…but can anyone deny the jaw-droppingly imaginative conceit of Stanley Kubrick using Richard Strauss’ “The Spoke Zarathustra” for the opening to his greatest cinematic achievement (hell, THE GREATEST CINEMATIC ACHIEVEMENT) 2001: A Space OdysseyContinue reading