America’s grand dame of literature, Toni Morrison, has given us many haunting words…but none have echoed in my mind more than the ones from A Mercy when a young girl who has lived through a colonial hellscape in 17th century Virginia announces to the world that she is, “In full. Unforgiven. Unforgiving. No ruth, my love. None. Hear me?”
I’d like to think that former art student and painter Kathryn Bigelow has read Morrison, but who knows? That’s the beauty of connecting one piece of art to another. Morrison’s words came to clear mind while watching Bigelow’s tightly wound dramatization of events more recent – the man hunt for Osama Bin Laden – in Zero Dark Thirty. How does one fight against terrorist enemies who are willing to kill anyone (including themselves) to achieve their mission? Well, the answer is painfully simple. You show them no ruth. No mercy. And you hunt them down by any means necessary and kill them.
At the center of Bigelow’s film is one of filmdom’s greatest female characters of all time (all the more powerful for having been based on a real-life CIA analyst still working in the field), an agent named Maya played with calculated precision by Jessica Chastain (the doe-eyed red-head, all awkward coils that are both sinewy and frail, and with a soft voice that hides her steely demeanor beneath) who announces her talents to the world with this role much in the way that Cate Blanchett first staked her claim as the Queen in Elizabeth. Here we see Maya’s journey over ten years from wunderkind analyst to ruthless field operative. Continue reading