The Iron Lady Goes Haywire

Excuse me, gentlemen, I make the decisions around here! Now give me my Oscar!

 

Hey, bub, I might not ever win an Oscar, but I will kick your ass!

 
Meryl Streep and Gina Carano might have more in common than meets the eye.  One is an acting legend taking on her umpteenth role in Phyllida Lloyd’s Margaret Thatcher biopic, The Iron Lady.  The other is a Mixed Martial Arts (MMA) star who many are saying has no business acting as the lead in her first film, Steven Soderbergh’s artsy actioner Haywire.  But both women make a clear statement and create a commanding presence in their respective films with Streep rising above her film’s faults while Carano rises above her own.  Neither of their films could operate or entertain without them. Continue reading
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A Review of Pierre Morel’s “Taken”

Don’t Be Taken for a Fool, 3 February 2009
4/10
Author: David H. Schleicher from New Jersey, USA

And now producer/writer Luc Besson and director Pierre Morel present the comedy event of the year!

Here’s the pitch: Two spoiled obnoxious teenage girls from California go to France and get kidnapped by a group of Albanians trafficking dumb tourists into sex slavery to the highest bidders–and you guessed it, one of those high bidders is a Middle Eastern sheik. But oh yeah, did I mention one of those girl’s fathers just happens to be a retired Jack Bauer-style super-spy who’s about reign down a sh*t-storm on the streets of Paris in order to rescue his idiot daughter? And guess what–it’s Liam Neeson!

Yes, there is a bit of a novelty factor in watching the guy who played Oskar Schindler go against type and get crazy on these moronic dirt-bags. And gosh darn it, Liam does his best with the role. I can’t remember the last time a film was sold to the American public entirely on the sound of one man’s voice reading dialog. He alone makes the otherwise unbearable film watchable. However, let’s be honest. As much fun as it is to watch Liam Neeson outrun a speeding car or electrocute some guy or kill a dude with a broken bottle, Clint Eastwood’s Gran Torino was a far better and more refined example of grizzled old guy “badassery”, and it was a hell of a lot funnier, and fancy that, had a moral.

What we have here in Taken is tone deaf French filmmakers sticking their nose up at Americans and spreading xenophobia abroad. I’m pretty sure they thought there were making a slick black comedy that no American would see through. Had they manifested this with a harder edge or more overtly satirical tone, they might’ve been on to something. Instead we get a second-rate episode of “24” watered down by a PG-13 rating that takes away any possibility of entertainment on even an exploitative level.

Bottom line: Don’t be fooled by Liam Neeson’s voice. He commanded our attention in the teaser trailers, but this should be film not taken.

Originally Published on the Internet Movie Database.