Above: the only picture of Buddy Bolden (top, second from the left)
Coming Through Slaughter, a piece of poetic historical fiction that attempts to channel the mysterious genius and insanity of jazz trumpeter Buddy Bolden, was Michael Ondaatje’s first novel (published in 1976) though one must use the term novel loosely. I had the pleasure of seeing Michael Ondaatje speak at the Free Library of Philadelphia this month, and he touched briefly on Coming Through Slaughter, and how it was a bridge between his earlier poetry and his later more refined (though still free flowing and organic) novels.
Along with Toni Morrison, Michael Ondaatje is probably my favorite living novelist. Coming Through Slaughter shares some stylistic and thematic traits with Morrison’s 1992 masterpiece Jazz (one of my favorite novels of all time). Both attempt to lyrically copy the cadence and spirit of the music in written form, but while Morrison’s work features many voices riffing on each other, Ondaatje’s is a singular voice that goes on a solo performance into madness. Morrison’s novel is slinkier, like forgotten notes from a dozen songs cat-pawing through a moonlit room whispering their spooky secrets. Ondaatje’s type of jazz is more gritty, virulent, like an unending trumpet blast ear-worming into the sweatiest, dirtiest, darkest spaces. Continue reading