Inspecting Spectre

Spectre Daniel Craig

Is it just me or does Daniel Craig, with each passing Bond film, look more and more like the William Shatner mask worn by Michael Myers in Halloween?  For me, the biggest problem with the Craig Bond Era has been Craig…he showed a promising range initially but was never quite right for the role.  But I digress.  He does fine here (I guess) in his fourth outing.  So apart from Craig saddled with being Craig and a snooze-inducing Sam Smith Bond theme (man, what a step down from Adele who knocked it out of the park with Skyfall!), let’s inspect all the good stuff in Spectre…because, boy, there’s a lot of it. (SPOILERS AHEAD)

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I Fall You Fall We All Fall for Skyfall

The third Daniel Craig headlining Bond flick, Skyfall, opens up like many Bond films of yore with a spectacular chase sequence that involves motorcycles atop Istanbul’s famous market and a fist-fight atop a moving train that ends with Bond getting accidentally shot by another agent trying to take out his combatant.  And as he falls into the river below, the traditional Bond credit sequence begins with Adele’s superb theme song recalling Shirley Bassey’s iconic Goldfinger.

It seems we were in for more of the same, but did they just kill Bond…even if only symbolically?  During the credits you are reminded of the masterstroke of hiring cinematographer Roger Deakins (arguably the best in the biz today) and his frequent cohort, Oscar-winning director Sam Mendes as their names come up in that comfortably familiar Bond credit sequence font.  Never before has a Bond film been given such behind-the-scenes pedigree, and armed with a sharper than normal script – the dynamic duo pay homage, deconstruct, and resurrect from one amazing set piece to the next the entire Bond oeuvre. Continue reading

A Review of “Quantum of Solace”

*Note to Readers:  Having seen this just one day after the amazingly depressing The Boy in the Striped PajamasQuantum of Solace probably came across as more of a feel-good escapist flick than it might actually be, which is ironic since it is probably the darkest Bond we’ve seen yet.  Like the film, I have tried to keep my review brief and on target.

Bond Back in Action Author: David H. Schleicher from New Jersey, USA

As one of the few people who thought that Casino Royale was just okay, I found its action-packed sequel Quantum of Solace to be genuinely entertaining. The film picks up exactly where the last one left off, but thankfully leaves its predecessor’s bloated sense of self-importance and run-time behind. Thanks to the tone set previously by Daniel Craig, this Bond maintains the darker hard edge. Directed with appropriate kinetic zeal by Marc Forster, the film never lets up and takes Bond away from that all that silly deep introspection and returns him to pure action while still playing a strong hand with its “this time its personal” theme.

There’s really not much more to say about such an indomitable franchise. Of course, in an attempt to appeal to audiences who have preferred Jason Bourne over James Bond in recent years, some of the action has a slap-dash over-edited feel, but never in a Bourne film would you find exploding planes and death-defying stunts involving every mode of transportation except by train.  Quantum of Solace also suffers from one of the worst Bond themes and opening credit sequences ever, but really, who cares about that?

The bottom line: Craig is as cold as ice and the action and the women are smoldering hot.  Quantum of Solace successfully serves up a healthy dose of Bond-fueled entertainment that will leave you shaken but not stirred.

Originally Published on the Internet Movie Database:

http://www.imdb.com/title/tt0830515/usercomments-478

Check out my original review of Casino Royale:

http://www.imdb.com/title/tt0381061/usercomments-703

Mongolian Trailer Park

CAPTION:  Ghengis Khan is all up in this yurt.

So last week I saw that flick Mongol, you know, the new epic about Ghengis Khan made by a Russian director (Sergei Bodrov), starring a Japanese dude (Tadonubo Asano), nominated for an Oscar, and inexplicably released stateside in the middle of the summer movie season.  It was a pretty good movie that held my interest for two hours by exposing me to a culture I know little about and featuring a well played out historical epic story arc complete with requisite kick-ass battle scenes.  Sitting there getting frosty in the air-conditioned theater while the heat and humidity raged outside, I couldn’t help thinking this was a movie better suited for the prestigious autumnal season.  With the most gluttonous of film seasons in full swing (is The Dark Knight out yet?), I decided to take a look ahead at my favorite season in film and weather. 

Here I present my list of most anticipated movies for Fall 2008:

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1.  The Miracle at St. Anna  (scheduled release date:  9/26)

The Director:  Spike Lee

The Stars:  Derek Luke, John Leguizamo, James Gandolfini, Joseph Gordon Levitt, some cute Italian kid, Alexandra Maria Lara, and a boatload of other people and familiar faces

The Scoop:  Okay, so I will admit it right here, right now.  I love Spike Lee.  I even liked She Hate Me.  He’s a cunning provocateur who’s had numerous peaks and valleys in his career but just won’t stop no matter what and always seems to get his name in the papers–witness Clint Eastwood telling him recently to “shut his face”.  Spike is coming off the most commercially successful film of his long career with Inside Man.  With this adaptation of the novel by James McBride about a group of African-American soldiers trapped in Tuscany during WWII, he’s giving us his first epic since Malcom X.    The trailer for this film is a smashing success that manages to sell the film as both a murder mystery and a searing Saving Private Ryan style WWII drama.  This latest Spike Lee Joint has so many great things going for it:  an auteur on the precipice of a personal artistic and commercial Renaissance (much like the one Scorsese recently went through with The Aviator and The Departed); a great storyline that has the potential to provoke discussions of history, race, religion and politics in a historic Presidential election year; and a multi-ethnic cast that includes a cute Italian kid, and as a special bonus for me, the devastatingly seductive Alexandra Maria Lara, whose beauty alone made Francis Ford Coppola’s recent debacle Youth Without Youth worth watching.

Watch the trailer:  http://www.imdb.com/video/imdb/vi3941007641/

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2.  The Curious Case of Benjamin Button  (scheduled release date:  12/19)

The Director:  David Fincher

The Stars:  Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

The Scoop:  This is the fantastic case of a gimmick film (it tells the not so simple story of a man who ages backwards, folks) with a literary pedigree (adapted from a story by F. Scott Fitzgerald).  I first saw the trailer for this in front of the latest Indiana Jones flick, and the packed house was so quiet you could hear a pin drop.  Its epic scope appears to be a complete departure for director Fincher, and its unique story and images sweep over you in the masterfully crafted trailer-much kudos thus far to the marketing team.  This film has the potential to be monumentally huge or just another curiosity grabbing for Oscar gold at Christmastime.  Will Fincher (robbed of an Oscar nod for Zodiac last year) and uber-star Pitt (robbed last year for The Assassination of Jesse James by the Coward Robert Ford) finally get their due?

CAPTION:  Two Oscars please, my good man!  Oscars for me and the Finch!

Watch the trailer:  http://www.apple.com/trailers/paramount/thecuriouscaseofbenjaminbutton/

Official Site:  http://www.benjaminbutton.com/

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3.  Australia  (scheduled release date:  11/14)

The Director:  Baz Luhrmann

The Stars:  Nicole Kidman, Hugh Jackman, Australia!

The Scoop:  Baz the Spazz changes gears completely with this big historical epic depicting heroism and romance against the backdrop of a Japanese attack on Australia during WWII.  The trailer sells the imagery and scope of the film very well, making it look Gone with the Wind Down Under, though the frame story of Kidman telling a fairy tale to the Aborigine girl seems a bit strained (and remarkably similar to Tarsem’s The Fall.)  Luhrmann appears to have abandoned his hyper kinetic style for the dreadful sumptuousness that always seems to sell tickets during the big holidays at the end of the year.  Kidman and Jackman certainly look the parts, and lord knows they could both use a big hit.   Will critics be eager to embrace the new Luhrmann after a seven year hiatus?  More than any other film, I think critics have the chance to make or break this one.

Watch the trailer:  http://www.imdb.com/video/screenplay/vi2917663001/

Official Site:  http://www.australiamovie.com/

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4.  The Soloist  (scheduled release date:  11/21)

The Director:  Joe Wright

The Stars:  Robert Downey Jr., Catherine Keener, Jamie Foxx

The Scoop:  Brit Joe Wright atones for his period pieces by making this American set musical biopic.  Downey Jr. is back on the A-list, the director is taking on a genre held in high favor in recent years, and playing a schizophrenic musical genius seems right up Foxx’s alley.  There are no trailers or official sites yet, but I can’t wait to see what kind of tracking long shots Wright cooks up for this one–I’m picturing a shot the begins with an overhead dolly and travels down and through the crowd and orchestra at a grand concert hall.

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5.  Revolutionary Road  (scheduled release date:  12/26)

The Director:  Sam Mendes

The Stars:  Leonardo DiCaprio, Kate Winslet

The Scoop:  I have to admit, the plot of this one (from a novel by Richard Yates) sounds like a snore-fest:  a young couple in 1950’s Connecticut deal with problems and such.  However, Mendes has yet to make a bad film, suburban dystopia is his bread and butter (American Beauty, anyone?), and the reunion of Titanic stars Leo and Kate in a Christmastime release give this film some palpable buzz.  No trailers or official site have appeared yet. 

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Other Films of Interest:

Changeling:  10/31.  The latest from Clint Eastwood has some mixed buzz coming from its Cannes’ premier.  This 1920’s set psychological thriller about a mother who begins to doubt the identity of her young son who has been returned to her after going missing will have a hard line to tow while it tries to convince people it’s not a remake of a horror film with the same name and is instead a prestigious Oscar bid for its uber-star Angelina Jolie.

Defiance:  12/2.  Yet another WWII epic, this one is based on a true story and staring Daniel Craig.  Directed by Edward Zwick, the film of course reeks of quality, and the trailer has been getting some good buzz (at least amongst my friends and family), but it looks nobly cliched to me.  If that new Spike Lee Joint strikes a cord, this runs the risk of being overshadowed as the later release.

Watch the trailer for Defiancehttp://www.imdb.com/video/imdb/vi2008154393/

Oh, yeah, there’s also a new James Bond flick (Craig again) idiotically entitled Quantum of Solace (11/7), and a wacky crime caper from Oscar darlings the Coen Brothers zanily called Burn After Reading (9/12) and staring, you guessed it, Brad Pitt.

Watch the Quantum of Solace trailer:  http://www.moviefone.com/movie/quantum-of-solace/26922/trailer?trailerId=2150289

Written by David H. Schleicher