On the isle of Jersey, a troubled young woman named Moll (Jessie Buckley – a revelation) emotionally enslaved by her manipulative and unforgiving family (headed by her posh, cruel, ice-queen of a mother played perfectly by Geraldine James) has a chance encounter with a guy from the wrong side of the sand dunes named Pascal (Johnny Flynn) that leads to a dangerous romance amidst the frenzied summer of a serial killer on the loose in Michael Pearce’s electrifying and disturbing directorial debut, Beast.
Beast is a classic sleeper film, having come presumably out of nowhere, and confounds all expectations of its tried and true “doomed romance” genre, here presented through the lenses of neo-noir and modern gothic. The less you know about the film going in the better. The complex psychological disturbances it displays (and transmitted exceptionally well by the cast, and most of all, by Buckley) need to be wrestled with, unpacked…not unlike the work one would do in therapy to better understand their past trauma and current motivations. For Moll, who is introduced to us through her own voice-over about the tragic fates of killer whales isolated in captivity (a chilling metaphor for what is about to unfold), being ostracized is clearly a trigger, but what the film accomplishes so brilliantly is confusion in the mind of the viewer. What are the true motives behind Moll and Pascal’s behavior? They compel us to sympathize with them even as we watch them careen into emotional and criminal mind-fields. Continue reading