“One, two, three, four, five, six, seven…all good children go to heaven.”
You wouldn’t believe it at the start of the grim trilogy of films that aired on British television in 2009 and were released in art-houses stateside in early 2010 (and new to DVD this month). Spanning almost a decade (from 1974 to 1983) and following a labyrinthine plot involving missing children, serial killers, conspiracy theories and corrupt police officers in northern Britain’s Yorkshire area, The Red Riding Trilogy is hard-hitting, trippy, convoluted stuff…the stuff of communal M-like nightmares.
The first thing that is so striking about the films is their look – dripping in period detail and directorial chutzpah that’s like Godfather-era Francis Ford Coppola as channeled through Danish Dogme ’95. From a critical standpoint, the consistent tone running through all of the films is even more astounding when you realize each part was directed, edited, scored and photographed by different teams. The first two parts were directed by Julian Jarrold and James Marsh respectively, and it’s only in the superior third part (1983, directed by Anand Tucker) do we see any kind of deviation, and that’s only in a few powerfully placed auteuristic flourishes involving flashbacks and voice-overs. Continue reading