All Defiant on the Western Front in Wonder Woman

Early on in Patty Jenkins’ confident and electrifying big-screen Wonder Woman epic, after getting rescued by the film’s hero (a robust yet appealingly vulnerable Gal Gadot), our guy in distress (a somewhat charming gritty Ken Doll with a sense of humor, Chris Pine) upon being asked about how he stacks up to other men says, “I’m above average.” In some ways, that’s the best way to describe Wonder Woman in comparison to every other superhero movie. It’s above average. But to leave it at that would be deny the film’s subversive charms and contextual place in the pantheon of fantasy films as mirrors into the audience’s psyche.

Let’s not dismiss, however, just how fun it is to simply watch an above average film in this over-saturated genre. Jenkins and her crew show great creativity and tactical savviness in their treatment of all the genre clichés while choosing a relaxed and serialized pacing in the action, following each big set piece with moments of more intimate drama and character development (witness celebratory Belgian villagers and our heroes dancing in the streets in the evening snowfall that seems ripped from a great war-time romance).

The film’s inherently silly exposition (routed in Greek myth) is made palpable thanks to beautifully rendered Renaissance-style paintings of Greco-Roman fantasy come to life – smartly linking the lore and art of old with modern comic book pages and colorful cells flipped through feverishly by childhood’s fingers. Playful camera angles bring to life a rousing aeronautical flyover of an exploding enemy bunker and battle horses and motorcycles racing through war-torn woods, while slo-mo is used judiciously when warranted and not just for the sense of style. Continue reading

The Avengers or In the Name of Phil

What is this? Some kind of bust?

Let’s get one thing straight – Scarlett Johansson is so smoldering in The Avengers, I was aghast.  I mean can this woman get any sexier?  And director Joss Whedon wisely places her in tight-fitting outfits and under perfect lighting and has her kick wall to wall ass as super assassin Black Widow.  As ho-hum as some of the rest of this film was, for me, bottom line – Johansson and how Whedon utilized her assets were worth the price of admission.  But enough of that…

Break out the extra-large, layered butter, heavily salted popcorn and enjoy this thing for whatever deviant or nostalgic or escapist reasons you so choose.  Here’s the patented Schleicher Spin rundown: Continue reading

A Review of Christopher Nolan’s “The Dark Knight”

Terror in the Knight, 22 July 2008
9/10
Author: David H. Schleicher from New Jersey, USA

Director Christopher Nolan has tapped into a cultural zeitgeist with his soaring Dark Knight.  No other director has shown so much ambition while working within the context of such an iconic name brand belonging to popular culture. By building upon the excellent framework he set with Batman Begins and adding in the chaos of the Joker (Heath Ledger, legendary) and the tragedy of Harvey Dent (Aaron Eckhart, admirable), Nolan, like Hitchcock before him, utilizes a B-level genre flick to tap into our shared cultural fears. Along with his co-writer brother, Jonathan Nolan, the director crafts a tightly wound tapestry that explores our archetypal fears of losing our identity and becoming that which we hate, while tuning into post 9/11 fears of terrorism, cowboy diplomacy, wire-tapping, and vigilante justice run amok.

The cast assembled falls right into place with Nolan’s epic and relentlessly dark vision of our current superhero mythology. Michael Caine and Morgan Freeman are again perfect in their supporting roles of wisdom and gadget providers, while Gary Oldman receives a surprising amount of screen time and delivers a sterling Oscar-worthy performance as the tormented Commissioner James Gordon. Replacing the dreadful Katie Holmes, Maggie Gyllenhaal is spry and feisty as assistant DA Rachel Dawes, but still seems out of place in her role. Bale is again brooding and effective as Bruce Wayne, though he gets overshadowed by the sly trickster that is Heath Ledger’s Joker. Ledger is everything he’s been hyped up to be. He’s scary good and his insanely nuanced and subversively humorous performance haunts the film while his character terrorizes Gotham with a feverish intensity that is divinely married to Nolan’s amped up tempo of thrills.

The opening moments of the film fall victim to the typical trappings of a sequel as it tries to reintroduce us to the cast regulars while setting the stage for new conflicts. However, once the Joker starts playing his games, Nolan ratchets up the tension to a nightmarish effect that will leave your pulse pounding for two hours. With each terrorist act of the Joker and ensuing catastrophe, Nolan ups the ante, resulting in a film that is enormously entertaining while also making the obvious bloated runtime seem oppressive and nerve-wracking…almost as if the film is a terrorist attack against the audience…

…and maybe that’s the point. With the opening camera swoop between skyscrapers zeroing in on a single window taken straight from Hitchcock’s opening shot from Psycho, Nolan tells the audience what they are in store for. Two more images, along with Ledger’s ghastly scarred and make-up covered visage, seep into the viewer’s subconscious. The first is after a building is exploded we see an image of firefighters spraying water over the scalding steel left behind that is eerily reminiscent of scenes from Ground Zero. The second is after a hospital is demolished, an image of the building’s carcass on the television seems taken straight from the Oklahoma City Bombing. As we watch the harrowing Joker-less climax involving Batman, Dent, and Gordon, and knowing in the back of our minds what became of Ledger in real life, we realize that terrorism can not only come from without, but from within. Sometimes we are our own worst victims.

Originally Published on the Internet Movie Database:

http://www.imdb.com/title/tt0468569/usercomments-1186

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Check out my review of the original Batman Begins:

http://www.imdb.com/title/tt0372784/usercomments-501